Tag Archives: Akkerman

Fountain Pens

February Palette Review!

Hullo folks, this one is being posted suuuuper late because February was a ROUGH month in our house. Lotsa meltdowns, broke my favorite fountain pen (Magic Green), lotsa possible exposure to covid, all kinds of fun stressful things. But never mind! Let’s talk pens. And inks. Fun stuff for real real.

Pen/Ink Palette:
My theme for February was our wedding colors, purple and green because I do not like reds and pinks so when I think of love, I think of those colors! I did include one pink but it was more of a peach so, cheated a little bit.

Two pens on a palette journal page. One is a slightly translucent warm purple with gold trim, and the other is a swirly cool purple mixed with white.
Sailor Pro Gear Slim and a London Pen Co. Christopher 13 Jr., loved for different reasons haha.

Favorite:
I had a tie in favorites this month. Both of these pens worked so well with the inks in them – and NEITHER ink was a shimmer! Yeah, surprised me too. I had Akkerman 13 Simplisties in the London Pen Co. pen, and PenBBS #506 Grain Rain in the Sailor. They were very soothing to write with which I definitely needed the latter half of the month. Very reluctant to put these away when the ink ran out!

Least Favorite:
I am going to write about the Magic Green drama in another post, so I’ll put a different pen in this spot.
There were actually a couple of pen combos I was having trouble with this month, I really need to stop buying vacuum pens for example. But the least favorite I settled on was a Mad Science Pen Company pen with a 1.1 stub nib and Diamine Inkvent 2022 Alpine. Pen worked great, fine performance flow wise. But the ink was basically black on most of the papers I used it with. Very very faint green in the right light. Silver sheen was pretty visible, but I found the whole thing kind of unappealing. So I think I found one of the few shimmers that looks WORSE in a broad nib! I will do a comparison. Some day.

Learned:
Uhm. I think the biggest thing I learned was really WHY the Magic Green pen was magic for me. Oh and that I really do not like vacuum pens. I have 3. I think I am done at this point haha. Oh and the Osprey nib was annoying – I don’t think flexible nibs are for me. Two years in a row I had a very disappointing February pen/ink experience. Ah well. Third years the charm right?

Daily Samples:
I forget exactly why I picked up so many PenBBS samples but. I did. So another month of PenBBS samples! I do like how these inks behave overall, so this was a nice, chill, reliable start to my day!

“PenBBS” and “February” are at the top of the page. There are 30 different colored thick lines of ink. Each line is numbered 1-30.
I have started using this part of the notebook to find colors I want to use for my palette – and it is brilliant.

Favorite:
Honestly, I was mostly just enjoying how the ink performed. But wasn’t too excited about the colors this month. I did enjoy the weird of #408 Xiamen on the 11th. You can kind of see it in the photo how the ink sort of shades, it’s mostly a pastel blue but there are brief and very faint hints of pink. It’s too light to write with but I bet the chromatography of it is going to be SUPER fun. Whenever I get into that.

Least Favorite:
No real strong feelings for the daily samples this month so I guess I’ll go with #387 Mark Twain because it ended up being a pretty basic black. I don’t think I have ever used a black ink. Nor will I!

Learned:
I should probably stop just buying sets of ink to get all of the numbers. Maybe. But it is easier. I am not sure how much longer I’ll end up doing daily samples, which I realized this month. I still find it soothing, and I still appreciate including it in my daily routine. And I DID just start a year long planner for this haha. I probably won’t abandon this until I find something else to replace it, but I will be building some fairly odd palettes in future, often augmented by the Subscriptions samples.

Subscription Samples:
Nope! I got Truphae and Ink Flight but I did NOT sample them in February because for my March Daily Samples, I only had 20 inks. And 12 samples fills in the last 11 needed nicely.

So that’s it. I was incredibly focused on March starting for a couple of reasons – I am trying out planner specific stickers in March from HubmanChubgirl for one, which could be fun – and for another thing, it would be a brand new month to hopefully not go horribly. Also, one month closer to my birthday, yay!
Thank you for your patience my delightful readers!

Fountain Pens

November Daily Samples, Review: 2022 Samples Review

Whew, using the word review twice in one title is super annoying. I’ll have to think of something better the next time I do this. Anyway – this month’s daily samples are using 8 different ink brands.

A notebook page with a list of inks (these will be shared in the posts below) written in silver ink and then rewritten to the right in the color of the ink named. At the top of the page the text reads “November Daily Samples Year Review” in silver ink.

I pulled each sample randomly from a pile that gives me enough samples for November and January. Then I grouped the inks by brand, so I’ll be showing them grouped like that here. However! I wasn’t thinking and did not take the opportunity to order them by number – if they had one – or by series – if they had one. So, in January, I have to remember that! But, let’s look at the November daily samples:

5 ink sample cards stacked on top of each other. Only the bottom one is visible, and you can see the ink swatch at the top, the name of the brand of ink, the name of the ink, xxxooosssssss, a stamp of a fountain pen nib, a pool of the ink, text at the bottom left reading “22NovVent-5” and on the right edge of the card is the text “standard.” From top to bottom there is a reddish ink, three various brown inks, and a blue ink.
Taccia: Hokusai Benitsuchi, Sharaku Kurocha, Utamaro Usuzumi, Utamaro Ume Murasaki, Hokusai Fukakihanada

Taccia:
Hokusai Benitsuchi: rusty brown, dark red with orange hints.
Sharaku Kurocha: Brown. Very straightforward brown.
Utamaro Usuzumi: Black, slight sheen.
Utamaro Ume Murasaki: A brownish pink.
Hokusai Kukakihanada: Ocean/whale blue – maybe not literally, but that is what it makes me think of?

5 ink sample cards stacked on top of each other. Only the bottom one is visible, and you can see the ink swatch at the top, the name of the brand of ink, the name of the ink, xxxooosssssss, a stamp of a fountain pen nib, a pool of the ink, text at the bottom left reading “22NovVent-10” and on the right edge of the card is the text “standard.” From top to bottom there is a blue, a black, a pink-red, a lighter blue and a light green.
Kyo No Oto: Aonibi Iro, Nurebairo, Iamyou Iro, Hisoku, Kokeiro

Kyo No Oto:
05 Aonibi Iro: Mushy denim blue.
01 Nurebairo: I can’t tell if this is sheen or not? I feel like it is. Super darkest blue with just like…a wet colored sheen honestly?
02 Iamyou Iro: Bright pink, red tones.
07 Hisoku: Light to medium blue, readable, might be chromatic…
03 Kokeiro: Writes out like pea soup, dries to a goose poop greeny brown.

3 ink sample cards stacked on top of each other. Only the bottom one is visible, and you can see the ink swatch at the top, the name of the brand of ink, the name of the ink, xxxooosssssss, a stamp of a fountain pen nib, a pool of the ink, text at the bottom left reading “22NovVent-13” and on the right edge of the card is the text “standard.” From top to bottom there is a orangey-red, a pink, and a light brown.
Kyo Iro: (03) Fushimi’s Flaming Red, (05) Keage Sakura, (01) Cobblestones

Kyo Iro:
03 Fushimi’s Flaming Red: Bright red, leaning towards a dark pink.
05 Keage Sakura: Nice cherry blossom pink.
01 Cobblestones: A really soft brown, or a brown tuned grey? Perfect for cobblestones.

3 ink sample cards stacked on top of each other. Only the bottom one is visible, and you can see the ink swatch at the top, the name of the brand of ink, the name of the ink, xxxooosssssss, a stamp of a fountain pen nib, a pool of the ink, text at the bottom left reading “22NovVent-16” and on the right edge of the card is the text “standard.” From top to bottom there is a brighter red, a more sedate red, and a blackish brown.
PenBBS: (520) Light Snow, (508) Grain Buds, (392) Black Bread

PenBBS:
520 Light Snow: Fall red, orange tones when it’s written lighter.
508 Grain Buds: Makes me think of coffee, both to drink when it’s dark and to stain.
329 Black Bread: Black! A very dark grey is what it dries to.

5 ink sample cards stacked on top of each other. Only the bottom one is visible, and you can see the ink swatch at the top, the name of the brand of ink, the name of the ink, xxxooosssssss, a stamp of a fountain pen nib, a pool of the ink, text at the bottom left reading “22NovVent-21” and on the right edge of the card is the text “standard.” From top to bottom there is a a light maroon, a darker maroon, gold, light blue, and a dark brown.
Vinta: Ubi, Andrada, Pamana, Lakbay, Romblon

Vinta:
Mulberry Ubi 1663: Mulberry purple, dark, only noticeably purple in the light.
Teal Andrata 1898: Dark teal hidden under a purple sheen – or at least it looks like an almost black purple, I suppose it could be read mixing with the teal?
Heritage Brown Pamana 2018: Orangey brown with a green sheen.
Sea & Sky Lakbay 1861: Pretty, light blue, pink shimmer, not sure how much the shimmer comes thru, but when it does, pretty! Kind of dirty looking in the swatch tho.
Black Onyx Romblon 1582: Black/green undertones to the ink, faint dark purple sheen, and a very faint shimmer? Can’t see it in the vial, just the swatches. In writing it’s hard to see because of the sheen so…secret shimmer? I like it tho. For a black ink, nice subtle colors if you look at it right.

6 ink sample cards stacked on top of each other. Only the bottom one is visible, and you can see the ink swatch at the top, the name of the brand of ink, the name of the ink, xxxooosssssss, a stamp of a fountain pen nib, a pool of the ink, text at the bottom left reading “22NovVent-27” and on the right edge of the card is the text “standard.” From top to bottom there is an orange ish, then a yellow, a dark greenish, lighter blue, darker blue, and a bright red.
Wearingeul: Kyonghui, A Star Spattered Hill, Shooting at the Moon, Mature, Stars in Autumn, Human Problem

Wearingeul:
Color of Literature, Project 4, Kyonghui: A sort of tan gold…reminds me of the color you’d see on plastics from the 80’s.
Color of Literature, Project 1, A Star Spattered Hill: A buttery yellow, warm brown tone, gold shimmer. Pretty!
Color of Literature, Project 1, Shooting at the Moon: Dark ink with a faint sheen. The color reminds me of a night sky and that hazy halo that you can see sometimes around the moon.
Demian Literature, Mature: Medium denim blue, grey tones as it dries.
Color of Literature, Project 1, Stars in Autumn: Medium to dark blue with blue shimmer. I feel like I really like this one, the swatch came out really pretty.
Color of Literature, Project 4, Human Problem (Issue): Interesting that an ink called ‘Human Problem’ is the color of blood?

A single sample card, blue ink with a reddish sheen swatch on the top. The text says “Akkerman (00) Royal Akkermanblauw, xxxooosssssss and 22NovVent-28. On the right side of the card the text says “sheen” and there is a pool of ink below a stamp of a nib.
Akkerman: (00) Royal Akkermanblauw

Akkerman:
00 Royal Akkermanblauw: Medium dark blue, reddish sheen, looks purple. Subtle.

2 ink sample cards stacked on top of each other. Only the bottom one is visible, and you can see the ink swatch at the top, the name of the brand of ink, the name of the ink, xxxooosssssss, a stamp of a fountain pen nib, a pool of the ink, text at the bottom left reading “22NovVent-30” and on the right edge of the card is the text “standard.” From top to bottom there is a lighter blue and an orange ish red.
Pennonia: (032) Csontvarys Blue, Draculea

Pennonia:
032 Csontvarys Blue: A sort of sky blue with denim darker blue tones.
Draculea: An orangeish red? Or a reddish orange? Sort of a fall color.

It was nice revisiting these brands. I am looking forward to finishing out these in January!

A notebook page with lines of ink colors on lines numbered 1- 30. At the top in a purple ink is text reading 2022 Review.
Month of iiiiinks!
30 ink vials from the top, only the white caps can be seen, each has 3 stickers. The vials are labeled 1-30, and each has the date 11.22, and each has a single color dot.
Look at all of those pretty vials of ink!
Fountain Pens

November Daily Samples, 2022 Review, Pt.1

Instead of a new ink – despite having like dozens I wanted to try – I decided to look back and pull inks from the brands I had tried this year. The idea came to me when I was looking at the Pennonia inks to follow the Akkerman inks. There were only a couple more than 30 in both brands (- at least when I was looking at them). And that completion rule I have kept bugging me, and I was trying to think of a way to use the extra ones. Maybe I could build a collection that finishes out each brand? I started looking at all of the other brands, and then the part of my brain that thinks it’s an archivist immediately started doing research into my own past. (It was super fun. Like, for real real.) I looked through notebooks, and looked up specific samples, and ended up realizing that there were some brands that would definitely not fit into a single month. Here’s the list of the ink brands I tried since January of 2022, and then the inks I am planning to sample this month:

30 ink vials from top down, the caps are all white, and they have round white stickers with the date.
So many potentially pretty inks!

January: I hadn’t quite figured everything out in January, so I didn’t focus on just one brand this month, instead it was tiny little glass bottles from Yoseko Stationary that I focused on, because they are adorable. Also I am still figuring out Brand vs. Line of ink. So! Much confusion, and this may not be correct, but I’m trying!
Taccia:
1. Hokusai Benitsuchi
2. Sharaku Kurocha
3. Utamaro Usuzumi
4. Utamaro Ume Murasaki
5. Hokusai Fukakihanada

Kyo No Oto:
6. Aonibi Iro
7. Nurebairo
8. Imayou Iro
9. Hisoku
10. Kokeiro

Kyo Iro
11. (02) Fushimi’s Flaming Red
12. (05) Keage Sakura
13. (01) Cobblestones

February: Robert Oster – so many inks! So none for the Daily Samples in November.

March: Kiwi Inks – finished everything they had at the time, I believe, but will definitely be checking back, because these are fun! Their multi-chromatic shading inks are awesome.

April: Ferris Wheel Press – I had tried a couple of samples based on a friend who recommended them. So, when I saw they had these ”collections” of every ink sample, and that there were enough to fill a months worth of daily samples, I was very excited. This is probably what gave me the idea to deliberately try to find brands with smaller libraries of inks to fit it into a month, after the second month in a row of that working out well.

May: PenBBS – these are always named so interestingly, and weirdly accurately. And numbering them just makes me want to GET THEM ALL. Some day.
14. (520) Light Snow
15. (508) Grain Buds
16. (392) Black Bread

June: Sailor Inks + Robert Oster – these both have super big libraries, as previously mentioned for RO, and this set was themed ”America.” I think there are more being added to the Sailor set, because I had to add Robert Oster ”Cities of America” inks to have enough samples for every day and obviously there are more than 30 states anyway. Maybe next time!

July: Vinta – I was SO EXCITED about these inks when I first heard about them (I still am for the record) because they came with stories attached! I enjoyed it thoroughly. Looking forward to more of these! Also the name on the sample vial is not the full name of the ink AND I KNOW IT. I will add them in the review. The full names are what points at the stories involves, so, that is important context.
17. Ubi
18. Andrada
19. Pamana
20. Lakbay (Fairytale Collection)
21. Romblon

August: Wearingeul – I enjoyed the Vinta inks so much that I looked for something like it – something that gave me an excuse to DO RESEARCH. Serious fun. Oh – these vials were ALSO missing very relevant information which I will add in the review… Because it is the stuff that points back to the literature influence, which means I have just…a whole bunch of new books to read. Which is an EXCELLENT outcome. I get to sample pretty inks, learn about authors that are new to me, and read books that are new to me? So excited.
22. Kyonghui
23. A Star Spattered Hill
24. Shooting at the Moon
25. Mature
26. Stars in Autumn
27. Human Problem

September: Akkerman – only ONE LEFT. (I think?)
28. (00) Royal Akkermanblauw

October: Pennonia – This is the one that really triggered my decision to do this theme for November’s Daily Samples! Because there were only two left, and after Akkerman, I thought, you know what…
29. (032) Csontvarys Blue
30. Draculea

Which brings us to November!

When I was putting this together I quickly realized that if I tried to finish the inks with every one of these brand, I actually have about 2 months worth of Daily Samples…so. I’ll do half in November and half in January. Tada! 🙂 I picked the ones I will be using in November randomly, so this should be interesting. If I get all reds and browns I will be SO SAD. So sad.

Since I enjoyed every brand I’ve tried this year, I am looking forward to this! I especially want to play with the Vinta and Wearingeul inks again. They both have story elements to them, and I love that. Mmmm…research.

Fountain Pens, Monthly Post

September Daily Sample Review, Akkerman

I was really intrigued by the shape of Akkerman’s bottles. They look antique and have a glass marble in the neck which is to help make filling the pen easier. It’s a really interesting idea! I sampled this month out of vials, but I may decide I need a whole bottle of at least one color so I can try out this whole marble thing. I believe the inks I sampled this month were from a line to honor their 100 years of existence in 2010, and the names are related to the city of The Hague. Fun!

A notebook page listing the inks that were sampled in September. The list can be found in the post.The inks are listed twice, once on the left in alternating purple and orange ink. The list on the right is in the color of the day. There is also a dot of color on the left edge of the page matching the right side list.
I like to list the inks out ahead of time and then rewrite them in that day’s ink sample, also I find making the color dots every day very fun. Look at how fun that looks!

It didn’t take me long to realize I was going to be sampling colors grouped together – which ended up being something I found really pleasing – for some reason? Although I wish the purple group had been larger, sigh. Quite the variety of blues and reds. The greens were also a small group – so my two favorite colors, the least number of inks. Boooo.
None of these popped out at me, but I have heard they are very solid and reliable inks. So I assume at some point in the future I’ll need one for a good basic color. They performed well and consistently when I was sampling them. More specifics with the color groupings below! 

11 sample cards of different blue stacked on top of each other, only the color band at the top is visible on 10 of the cards. The last one is fully visible. It reads “Akkerman 11 Treves Turquoise, xxxooosssssss, 22SeptVent-11, standard” There is a stamp of a nib with a B on it, and a pool of the color used on the card.
So many blues! Each distinct.

The Blues! Listed in order seen on photo from top to bottom.

01 Passage Blauw

02 Redidentie Blauw

03 Blauw 

04 Nassaus Blauw

05 Shocking Blue

06 Binnenhof Blues

07 Koninginne Nach-Blauw

08 DiepDuin Water Blauw

09 Laan van Niew Oost-Indigo

10 Ijzer-galnoten Blauw-Zwart

11 Treves Turquois 

I think by the fourth or fifth blue I was just impressed at how many blues their were already and still to come! I like that there is a wide variety and that none of them look exactly the same. There are two or three in there that are similar, but still distinct. And 05, Shocking Blue, looks like something I’ll use in a future palette…

4 sample cards of different purples stacked on top of each other, only the color band at the top is visible on 3 of the cards. The last one is fully visible. It reads “Akkerman 15 Voorhout Violet, xxxooosssssss, 22SeptVent-15, standard” There is a stamp of a nib with a B on it, and a pool of the color used on the card.
4 purples – only 4! And that’s only if you consider Magenta a purple which…I sometimes do not. Sad Spoon.

The Purples!

12 Mauritshuis Magenta

13 Simplisties Violet

14 Parkpop Purpur

15 Voorhout Violet

There weren’t as many of these, but I do love them. I’m not a huge fan of magenta’s, but the other three are really pretty, and I hope I have an excuse to use them soon. Especially that 13, Simplisties Violet! 

8 sample cards of an orange, different reds, and a couple of browns stacked on top of each other, only the color band at the top is visible on 7 of the cards. The last one is fully visible. It reads “Akkerman 23 Bekakt Haags, xxxooosssssss, 22SeptVent-23, standard” There is a stamp of a nib with a B on it, and a pool of the color used on the card.

The Reds! Okay maybe more than just reds…

16 Oranje Boven

17 Staten-Generaal Rood

18 Garuda Rood

19 Rood Haags Pluche

20 Pulchri Pink

21 ChinaTown Red

22 Hopjesbruin

23 Bekakt Haags

Okay, so there is an orange and some tan/browns mixed into this pile, but its close enough! Let’s call these Fall colors instead of just Reds…Red is not my favorite color ink, but I found a couple of these intriguing. Super not a fan or tan/brown but they are still solid colors. And orange is becoming a favorite ink color for some reason, so glad that I got at least one of those!

7 sample cards of different greens and greys stacked on top of each other, only the color band at the top is visible on 6 of the cards. The last one is fully visible. It reads “Akkerman 30 Het Swarte Pad, xxxooosssssss, 22SeptVent-30, standard” There is a stamp of a nib with a B on it, and a pool of the color used on the card.
Greens and greys!

The Greens!

24 Zuiderpark Blue-Green

25 Denneweg Groen

26 Goenmarkt Smaragd

27 Bezuidenwoud Groen

28 Hofkwartier Groen

29 Hofvijer Grijs 

30 Het Zwarte Pad

Greens! I’m always looking for good greens, because they go well with purples! There is a good variety here. There are also two greys which is nice. The only color really missing is a yellow, but not a bad rainbow!

A close up of a planner notebook page. This page is for a single line for each day, and starts with “9 September” and the space underneath says “Akkerman.” Each line starts with a number of the day and the first letter of the day of the week. Each line is a different color, from the daily sample used.

Overall I enjoyed this month’s inks. None of them seemed to really be problematic at all, and all of them will be solid additions to my library. Now…which one do I buy a bottle of… 🙂 

But How?, Fountain Pens

Morning Daily Sample/Pen Routine – Process

Alright, you know those posts I have about the daily samples? Well, let’s get into the technical specifics of how I currently do my daily morning ink and pen routine. I assume someone out there will get something out of it. Here we go!

Step One:

Three notebooks stacked on top of each other. The one on top is a Hobonichi Techo 2022 Original, underneath is a textured black notebook with a Goulet Pens purple ink splatter sticker on the cover, and the one on the bottom is purple, with 2 stickers visible. The top sticker is a lightbulbs with a garden and a black cat inside. And the bottom one is partially obscured, but the whole thing says, Don’t Believe Every Thought You Think.
Set up the notebooks. For this I add some stickers to the pages where I start today in my Captain’s Log, and that day’s page in my Nightly Journal. I also pull out my Daily Sample Journal. 

Step Two:

On a wooden desk are: - paper towel which caught a ton of ink drops and spills - a blank white sample card - a purple vial holder in the shape of a giant d20, which is holding a vial with a cap that has three white stickers on top. One is blank, one says “4” and the other says “9.22” - a grey dip pen with a protector over the metal nib, and is resting on a glass pen holder - a stamp ink pad with the lid taken off - a stamp with the shape of a B nib
Pull out the sampling supplies. First, the sample vial, which I put in the 3D printed d20 vial holder Aaron made me. Next I pull out the nib stamp I am using that month and the ink pad for it. Then the dip pen I am using – currently an Iro-utsushi, metal nib instead of glass. Last the two paper towels I use – one where I can catch any spills and one where I can rest the q-tip when I am done with it.

Step Three:

A wooden desk with various ink sampling supplies. Centered is a sample card with blue ink swapped across the top, a black nib stamped on the right side, and drips of ink off the nib tip and a larger pool of ink.
This is where I start putting ink down on paper. I use a q-tip to pick up ink from the vial and swab the top of a sample card. Then I’ll stamp the card with that month’s nib stamp. Next I pick up a little more ink and use it to make a puddle of ink on the card, making it look like the ink is dripping off the tip of the stamped ink nib.

Step 4:

6 places that had ink applied by a q-tip: - the top of an ink vial lid - the blank dot has had a drop of ink applied - My Captain’s Log page that lists the Akkerman inks for that month, a drop of ink has been applied next to the #4 - the sample card with ink on the top of the card and a puddle of ink - the daily sample journal page with the puddle of ink and the stamped ink bottle filled in with color
I use this q-tip in seven spots, funnily enough. The swab at the top of the card, the ink puddle on the card, an ink puddle on that days journal sample page, a dot on top of the vial lid, a dot next to the name of the ink written out in that month’s list, then I swab in the ink bottle stamp on that days page, then! 

Step Five:

A close up of a page in a planner, each line with the day of the month to the left. At the top is “9” and “September,” underneath I have written Akkerman in purple. There are four days visible, each with a line of ink drawn from right to left - they are all different color blues.
Seventh and finally for the q-tip, a line of ink on the page that lists every day of months in a column. And then I rest it on a paper towel because it pulls the rest of the ink out slowly and sometimes you can see some really interesting color separations. 
Two notebooks, the smaller planner resting on the larger. In the planner, you can see “04 Nassaus Blauw” and a square of the same color to the left. The larger notebook page is for September Daily Samples for Akkerman, with the first 4 ink names listed twice - once on the left in alternating orange and purple, and once on the right in that days ink color. There are drops of ink on the far left of that days ink.
Once the q-tip is done – moving on to using the dip pen. I start with the Captain’s Log and Nightly Journal – I write out the name of the ink on the page I list all of that month’s inks next to itself. Then I write it again at the top of that days Nightly Journal page, and fill in a square – the top of those pages have a very short checklist, so I basically color in the box you’d normally mark when something is done. 

Step Seven:

The sample card has a swatch of ink applied to the top of the card, there is a nib stamp with what looks like the same ink dripping off the nib and into a puddle. The card text reads: Akkerman 04 Nassaus Blue Xxxooosssssss 22SeptVent-4 Standard
Next is the sample card. I put the ink manufacturer, series if applicable, name, and some test x’s, o’s, and interconnected s’s. I also add which month it is usually by year, month, “vent” and the day – for example, 22SeptVent-4. And last I put the kind of ink it is on the right edge of the card – standard, shimmer, or sheen – those are the three types I’ve sampled so far. Well, ColorVerse calls their shimmers “glistening” and there are some shading inks that go by different shades. 

Step Eight:

A notebook page - there is a sticker applied to the top left corner, it looks like a sample that has floating lantern art. To the right of the sticker is text reading “04 Nassaus Blauw” with scribbled marks to the left and underneath and the right side. In gold ink in the top right hand corner the text reads “9.4.22 Sun”
I write the name of the ink in one last spot in my Captain’s Log – that days first page.

Step Nine:

A planner page - what is on this page is explained in the caption of the photo.
Then I switch over to the Daily Ink Sample Journal. I make 4 squares, 4 circles, and 4 triangles all filled in. Then I scribble a square to be as saturated as I can make it. Then more interconnected squiggles. Below that I put the same info I had on the sample card – manufacturer, series, name and then whether it is a standard ink or not, and finally which dip pen I am using. Beside that I draw straight lines until the ink starts to fade. Below that I write “the quick brown fox jumps over the lazy dog” because that phrase has every single letter of the English alphabet at least one. Then a line of dots and dashes. Then a description and my FEELINGS about the ink. Lastly, after one last dip into the vial, I draw what I call my sharp squiggles – it’s just a mess really, but I find the motions soothing and the visual appealing.

Step Ten:

A notebook page - there is a sticker applied to the top left corner, it looks like a sample that has floating lantern art. To the right of the sticker is text reading “04 Nassaus Blauw” with scribbled marks to the left and underneath and the right side. In gold ink in the top right hand corner the text reads “9.4.22 Sun” underneath is the text “the quick brown fox jumps over the lazy dog” written 10 times, in 10 different inks. The first is purple, the next two are different blues, the next two are different greens, a shiny red with gold sheen, a maroon, a orangey red with gold shimmer, a yellow orange, and a gold with gold shimmer.
I finish by testing all of the pens I have inked that day. I started doing this when I would find a pen wasn’t working well in the middle of the word day which was so very frustrating! So the pen test gives me an idea of which ones to avoid that day haha. In this photo I just repeat the quick brown fox sentence, but really I’ll just write down my thoughts, changing pen colors on every line.

And that’s it! When I first got started with this I would just ink up the sample card, usually just with a square swab applied by q-tip and the ink manufacturer and name. I added the daily sample journal later. Then I added writing it in my Captain’s Log, then my nightly journal, etc. It has evolved over time. I switched from a glass nib dip pen to a metal nib – recently, actually. I’ve changed up the kind of sample cards I use for samples and I have changed the format I use on the card. Huh…this line of thought could end up being a whole other post. So I will leave it there!

I want to share these kinds of things in case it is helpful to someone. And I love collecting this data and putting it somewhere, so throwing it on this blog seems like a good place for it.  

Fountain Pens

September Daily Samples, Akkerman

I made a note of where I first saw an Akkerman ink referenced, and have lost it somehow. Sigh. I keep starting new notebooks so I can find things easier but I REFUSE to pull my ink stuff out of my Captain’s Log. Refuse. 

Besides, it was probably on the Pen Addict blog, let’s be honest. I am read that blog all the time. I have learned a thousand things from it. Highly recommend. Actually, I love it so much, I am working my way backwards, as I keep up to date with the latest. It is a little weird seeing posts from near the beginning of the pandemic – I think I’m back in early 2020 at this point. 

What decided me on this one for this month was the numbered aspect actually. Numbered inks are both satisfying and have the potential to make me go a little out of control – if for example, I only need 30 or 31 of them but there are 70 in total… And if any of these names are misspelled, I am sorry, I may have lost one or two battles with the auto correct. 

Two lime green trays, the bottom one holds 20 ink sample vials, the top one is set on top of those vial caps, and holds 11 more vials. Each vial has a label which says what the ink is.
Akkerman Ink Samples

01 Passage Blauw

02 Redidentie Blauw

03 Blauw 

04 Nassaus Blauw

05 Shocking Blue

06 Binnenhof Blues

07 Koninginne Nach-Blauw

08 DiepDuin Water Blauw

09 Laan van Niew Oost-Indigo

10 Ijzer-galnoten Blauw-Zwart

11 Treves Turquois 

12 Mauritshuis Magenta

13 Simplisties Violet

14 Parkpop Purpur

15 Voorhout Violet

16 Oranje Boven

17 Staten-Generaal Rood

18 Garuda Rood

19 Rood Haags Pluche

20 Pulchri Pink

21 ChinaTown Red

22 Hopjesbruin

23 Bekakt Haags

24 Zuiderpark Blue-Green

25 Denneweg Groen

26 Goenmarkt Smaragd

27 Bezuidenwoud Groen

28 Hofkwartier Groen

29 Hofvijer Grijs 

30 Het Zwarte Pad

I am pretending I can understand what some of those mean, like Groen – green, clearly. Rood – red. Blauw – blue. We’ll certainly find out once I break into these!