Tag Archives: Kyo Iro

November Daily Samples, Review: 2022 Samples Review

Whew, using the word review twice in one title is super annoying. I’ll have to think of something better the next time I do this. Anyway – this month’s daily samples are using 8 different ink brands.

A notebook page with a list of inks (these will be shared in the posts below) written in silver ink and then rewritten to the right in the color of the ink named. At the top of the page the text reads “November Daily Samples Year Review” in silver ink.

I pulled each sample randomly from a pile that gives me enough samples for November and January. Then I grouped the inks by brand, so I’ll be showing them grouped like that here. However! I wasn’t thinking and did not take the opportunity to order them by number – if they had one – or by series – if they had one. So, in January, I have to remember that! But, let’s look at the November daily samples:

5 ink sample cards stacked on top of each other. Only the bottom one is visible, and you can see the ink swatch at the top, the name of the brand of ink, the name of the ink, xxxooosssssss, a stamp of a fountain pen nib, a pool of the ink, text at the bottom left reading “22NovVent-5” and on the right edge of the card is the text “standard.” From top to bottom there is a reddish ink, three various brown inks, and a blue ink.
Taccia: Hokusai Benitsuchi, Sharaku Kurocha, Utamaro Usuzumi, Utamaro Ume Murasaki, Hokusai Fukakihanada

Taccia:
Hokusai Benitsuchi: rusty brown, dark red with orange hints.
Sharaku Kurocha: Brown. Very straightforward brown.
Utamaro Usuzumi: Black, slight sheen.
Utamaro Ume Murasaki: A brownish pink.
Hokusai Kukakihanada: Ocean/whale blue – maybe not literally, but that is what it makes me think of?

5 ink sample cards stacked on top of each other. Only the bottom one is visible, and you can see the ink swatch at the top, the name of the brand of ink, the name of the ink, xxxooosssssss, a stamp of a fountain pen nib, a pool of the ink, text at the bottom left reading “22NovVent-10” and on the right edge of the card is the text “standard.” From top to bottom there is a blue, a black, a pink-red, a lighter blue and a light green.
Kyo No Oto: Aonibi Iro, Nurebairo, Iamyou Iro, Hisoku, Kokeiro

Kyo No Oto:
05 Aonibi Iro: Mushy denim blue.
01 Nurebairo: I can’t tell if this is sheen or not? I feel like it is. Super darkest blue with just like…a wet colored sheen honestly?
02 Iamyou Iro: Bright pink, red tones.
07 Hisoku: Light to medium blue, readable, might be chromatic…
03 Kokeiro: Writes out like pea soup, dries to a goose poop greeny brown.

3 ink sample cards stacked on top of each other. Only the bottom one is visible, and you can see the ink swatch at the top, the name of the brand of ink, the name of the ink, xxxooosssssss, a stamp of a fountain pen nib, a pool of the ink, text at the bottom left reading “22NovVent-13” and on the right edge of the card is the text “standard.” From top to bottom there is a orangey-red, a pink, and a light brown.
Kyo Iro: (03) Fushimi’s Flaming Red, (05) Keage Sakura, (01) Cobblestones

Kyo Iro:
03 Fushimi’s Flaming Red: Bright red, leaning towards a dark pink.
05 Keage Sakura: Nice cherry blossom pink.
01 Cobblestones: A really soft brown, or a brown tuned grey? Perfect for cobblestones.

3 ink sample cards stacked on top of each other. Only the bottom one is visible, and you can see the ink swatch at the top, the name of the brand of ink, the name of the ink, xxxooosssssss, a stamp of a fountain pen nib, a pool of the ink, text at the bottom left reading “22NovVent-16” and on the right edge of the card is the text “standard.” From top to bottom there is a brighter red, a more sedate red, and a blackish brown.
PenBBS: (520) Light Snow, (508) Grain Buds, (392) Black Bread

PenBBS:
520 Light Snow: Fall red, orange tones when it’s written lighter.
508 Grain Buds: Makes me think of coffee, both to drink when it’s dark and to stain.
329 Black Bread: Black! A very dark grey is what it dries to.

5 ink sample cards stacked on top of each other. Only the bottom one is visible, and you can see the ink swatch at the top, the name of the brand of ink, the name of the ink, xxxooosssssss, a stamp of a fountain pen nib, a pool of the ink, text at the bottom left reading “22NovVent-21” and on the right edge of the card is the text “standard.” From top to bottom there is a a light maroon, a darker maroon, gold, light blue, and a dark brown.
Vinta: Ubi, Andrada, Pamana, Lakbay, Romblon

Vinta:
Mulberry Ubi 1663: Mulberry purple, dark, only noticeably purple in the light.
Teal Andrata 1898: Dark teal hidden under a purple sheen – or at least it looks like an almost black purple, I suppose it could be read mixing with the teal?
Heritage Brown Pamana 2018: Orangey brown with a green sheen.
Sea & Sky Lakbay 1861: Pretty, light blue, pink shimmer, not sure how much the shimmer comes thru, but when it does, pretty! Kind of dirty looking in the swatch tho.
Black Onyx Romblon 1582: Black/green undertones to the ink, faint dark purple sheen, and a very faint shimmer? Can’t see it in the vial, just the swatches. In writing it’s hard to see because of the sheen so…secret shimmer? I like it tho. For a black ink, nice subtle colors if you look at it right.

6 ink sample cards stacked on top of each other. Only the bottom one is visible, and you can see the ink swatch at the top, the name of the brand of ink, the name of the ink, xxxooosssssss, a stamp of a fountain pen nib, a pool of the ink, text at the bottom left reading “22NovVent-27” and on the right edge of the card is the text “standard.” From top to bottom there is an orange ish, then a yellow, a dark greenish, lighter blue, darker blue, and a bright red.
Wearingeul: Kyonghui, A Star Spattered Hill, Shooting at the Moon, Mature, Stars in Autumn, Human Problem

Wearingeul:
Color of Literature, Project 4, Kyonghui: A sort of tan gold…reminds me of the color you’d see on plastics from the 80’s.
Color of Literature, Project 1, A Star Spattered Hill: A buttery yellow, warm brown tone, gold shimmer. Pretty!
Color of Literature, Project 1, Shooting at the Moon: Dark ink with a faint sheen. The color reminds me of a night sky and that hazy halo that you can see sometimes around the moon.
Demian Literature, Mature: Medium denim blue, grey tones as it dries.
Color of Literature, Project 1, Stars in Autumn: Medium to dark blue with blue shimmer. I feel like I really like this one, the swatch came out really pretty.
Color of Literature, Project 4, Human Problem (Issue): Interesting that an ink called ‘Human Problem’ is the color of blood?

A single sample card, blue ink with a reddish sheen swatch on the top. The text says “Akkerman (00) Royal Akkermanblauw, xxxooosssssss and 22NovVent-28. On the right side of the card the text says “sheen” and there is a pool of ink below a stamp of a nib.
Akkerman: (00) Royal Akkermanblauw

Akkerman:
00 Royal Akkermanblauw: Medium dark blue, reddish sheen, looks purple. Subtle.

2 ink sample cards stacked on top of each other. Only the bottom one is visible, and you can see the ink swatch at the top, the name of the brand of ink, the name of the ink, xxxooosssssss, a stamp of a fountain pen nib, a pool of the ink, text at the bottom left reading “22NovVent-30” and on the right edge of the card is the text “standard.” From top to bottom there is a lighter blue and an orange ish red.
Pennonia: (032) Csontvarys Blue, Draculea

Pennonia:
032 Csontvarys Blue: A sort of sky blue with denim darker blue tones.
Draculea: An orangeish red? Or a reddish orange? Sort of a fall color.

It was nice revisiting these brands. I am looking forward to finishing out these in January!

A notebook page with lines of ink colors on lines numbered 1- 30. At the top in a purple ink is text reading 2022 Review.
Month of iiiiinks!
30 ink vials from the top, only the white caps can be seen, each has 3 stickers. The vials are labeled 1-30, and each has the date 11.22, and each has a single color dot.
Look at all of those pretty vials of ink!

November Daily Samples, 2022 Review, Pt.1

Instead of a new ink – despite having like dozens I wanted to try – I decided to look back and pull inks from the brands I had tried this year. The idea came to me when I was looking at the Pennonia inks to follow the Akkerman inks. There were only a couple more than 30 in both brands (- at least when I was looking at them). And that completion rule I have kept bugging me, and I was trying to think of a way to use the extra ones. Maybe I could build a collection that finishes out each brand? I started looking at all of the other brands, and then the part of my brain that thinks it’s an archivist immediately started doing research into my own past. (It was super fun. Like, for real real.) I looked through notebooks, and looked up specific samples, and ended up realizing that there were some brands that would definitely not fit into a single month. Here’s the list of the ink brands I tried since January of 2022, and then the inks I am planning to sample this month:

30 ink vials from top down, the caps are all white, and they have round white stickers with the date.
So many potentially pretty inks!

January: I hadn’t quite figured everything out in January, so I didn’t focus on just one brand this month, instead it was tiny little glass bottles from Yoseko Stationary that I focused on, because they are adorable. Also I am still figuring out Brand vs. Line of ink. So! Much confusion, and this may not be correct, but I’m trying!
Taccia:
1. Hokusai Benitsuchi
2. Sharaku Kurocha
3. Utamaro Usuzumi
4. Utamaro Ume Murasaki
5. Hokusai Fukakihanada

Kyo No Oto:
6. Aonibi Iro
7. Nurebairo
8. Imayou Iro
9. Hisoku
10. Kokeiro

Kyo Iro
11. (02) Fushimi’s Flaming Red
12. (05) Keage Sakura
13. (01) Cobblestones

February: Robert Oster – so many inks! So none for the Daily Samples in November.

March: Kiwi Inks – finished everything they had at the time, I believe, but will definitely be checking back, because these are fun! Their multi-chromatic shading inks are awesome.

April: Ferris Wheel Press – I had tried a couple of samples based on a friend who recommended them. So, when I saw they had these ”collections” of every ink sample, and that there were enough to fill a months worth of daily samples, I was very excited. This is probably what gave me the idea to deliberately try to find brands with smaller libraries of inks to fit it into a month, after the second month in a row of that working out well.

May: PenBBS – these are always named so interestingly, and weirdly accurately. And numbering them just makes me want to GET THEM ALL. Some day.
14. (520) Light Snow
15. (508) Grain Buds
16. (392) Black Bread

June: Sailor Inks + Robert Oster – these both have super big libraries, as previously mentioned for RO, and this set was themed ”America.” I think there are more being added to the Sailor set, because I had to add Robert Oster ”Cities of America” inks to have enough samples for every day and obviously there are more than 30 states anyway. Maybe next time!

July: Vinta – I was SO EXCITED about these inks when I first heard about them (I still am for the record) because they came with stories attached! I enjoyed it thoroughly. Looking forward to more of these! Also the name on the sample vial is not the full name of the ink AND I KNOW IT. I will add them in the review. The full names are what points at the stories involves, so, that is important context.
17. Ubi
18. Andrada
19. Pamana
20. Lakbay (Fairytale Collection)
21. Romblon

August: Wearingeul – I enjoyed the Vinta inks so much that I looked for something like it – something that gave me an excuse to DO RESEARCH. Serious fun. Oh – these vials were ALSO missing very relevant information which I will add in the review… Because it is the stuff that points back to the literature influence, which means I have just…a whole bunch of new books to read. Which is an EXCELLENT outcome. I get to sample pretty inks, learn about authors that are new to me, and read books that are new to me? So excited.
22. Kyonghui
23. A Star Spattered Hill
24. Shooting at the Moon
25. Mature
26. Stars in Autumn
27. Human Problem

September: Akkerman – only ONE LEFT. (I think?)
28. (00) Royal Akkermanblauw

October: Pennonia – This is the one that really triggered my decision to do this theme for November’s Daily Samples! Because there were only two left, and after Akkerman, I thought, you know what…
29. (032) Csontvarys Blue
30. Draculea

Which brings us to November!

When I was putting this together I quickly realized that if I tried to finish the inks with every one of these brand, I actually have about 2 months worth of Daily Samples…so. I’ll do half in November and half in January. Tada! 🙂 I picked the ones I will be using in November randomly, so this should be interesting. If I get all reds and browns I will be SO SAD. So sad.

Since I enjoyed every brand I’ve tried this year, I am looking forward to this! I especially want to play with the Vinta and Wearingeul inks again. They both have story elements to them, and I love that. Mmmm…research.

August Palette Review

10 pens lined up horizontally, green, sparkle blue, blue/pink, sparkly purple, swirly purple, swirly magenta/pink/white, sparkly orange, swirly orange, metallic orange, swirly yellow, and clear with a sparkly orange ink visible.
August pens

Twelve pens is a lot of pens but I am happy to report that I really used most of them. There were two with weird nibs, but after I tuned them they were okay. There was a yellow that was mostly too light for me to read, so ended up doing mostly accents with it. My header pen only saw use on headers because I was worried about running out of that ink – didn’t have a lot of them. I will say switching out that one orange ink was a very good idea. 

I am now realizing how vague this is going, so let’s just list them all out instead! 

A pair of pages from the Ink Journal notebook. There are 12 pens listed by pen and ink manufacturer, then the pen and ink color, and then August, 2022. To the right (on the left page, to the left on the right page) is a stamped ink bottle, and the color of that pen ink is scribbled in there. Besides the ink bottle stamp is Shawna’s opinion on that combo. The pen/ink combos and written opinions can be found below this photo in a list.
Record of August pens and inks and FEELINGS

1. Hong Dian 5019, Lan Tian – May Flowers (EF) / Ferris Wheel Press Moonlight Jade 
– Magic Green Pen! I adore it. The end. (Refilled 9 times)
2. Sailor Pro Gear Slim Mini – Night Blue (MF) / ColorVerse Cat 
– New Forever Pen! Shall dub Forever Blue – pretty much identical experience to the Forever Purple pen, just a different favorite shimmer ink.
– “Pen is JUST long enough, but still smol, which I love. Fav nib. Ink works, comes out nicely, hasn’t gummed yet, knock on wood. :)” (Refilled 3 times)
3. James White – Nebula (Custom Nib) / Ferris Wheel Press Tumbling Time Blue
– Solid pen, didn’t use it a ton because low on ink. Ink good, dark tho, nice sheen, rarely any shimmer.
4. Sailor Pro Gear Slim – Purple Northern Lights (MF) / ColorVerse 54 Hayabusa Glistening
– Forever Purple Pen! Also adore this one. The end. (Refilled 7 times *yay*)
5. Esterbrook JR Paradise Pocket Pen – Purple Passion (F) / Van Dieman Beetroot Relish
– “Esterbrook F nib is a good size. I like the handling of the pen. I LOVE this ink color! Solid purple – and no shimmer! Performed great too.” (Refilled 1 time)
6. Bearbarian Woodworking – Copper Eclipse Sunset (F) / Diamine 2021 Inkvent Raspberry Rose
– “I like the material of this pen a ton – the finger hold spot is a little slipper tho. Nib is a good size, performs well usually, slightly inconsistent. Really like the color of this ink, a magenta I like the depth of – performed well.” (Refilled 1 time)
7. Conklin – Coronet Orange (F) / Kyo Iro Moonlight of Higashiyama
– “Inconsistent ink distro, sometimes really heavy flow, sometimes really dry. Love the nib shape tho. Fascinating ink color – glad I switched it out! (Leave uncapped, gets wetter, caped, gets dryer?)” (Refilled 2 times – exploded a little bit once, maybe because I dropped it)
8. Kaweco AL Sport Limited Edition – Orange (F) / Ferris Wheel Press Pumpkin Patch
– “Nib/feed performance inconsistent…tried tuning it, seems to work better sometimes but then not others…I really like the subtle shading on this orange.” (Refilled 1 time)
9. Leonardo Officina Italiana Brooks PM4 Limited Edition – Supernova (F) / Diamine Inkvent 2021 Wonderland
– Still love this ink. It ended up not really fitting in the palette – so when it ran out on the 20th, I just didn’t refill it.
10. Esterbook JR Pocket Paradise Pen – Orange (EF) / Diamine 2021 Inkvent Peach Punch
– “This ink ended up being fine in this nib, but had a rough start. I love this ink color, a very interesting orangish that seems to be different shades depending on what’s next to it!” (Refilled 1 time)
11. Esterbook JR Pocket Paradise Pocket Pen – Yellow (EF) / Sailor Ink Studio 770
– “Nib scratchy, ink wouldn’t flow, tuned it (baby’s bottom?) and seems better. Ink very light, hard to read. A little disappointed in this ink 0 expected it to be darker consistently but you can see the difference. Readable now! Nib still a little scratchy.”
12. Majohn Wancai Mini Fountain Pen – Transparent Clear (F) / Diamine 2019 Inkvent Golden Star
– “Fav part of pen is seeing the ink swirl around. Solid nib, I like the way it writes – can handle shimmer! I think the cap may have cracked – humidity in there now?? Love this ink color – literally changes shades as you write down a page!”

So, if I had to pick a favorite (besides my Forever Pens) it would have to be either the purple Esterbrook with Beetroot Relish in it, or the Majohn with Golden Star in it. For different reasons. Oo! Or the Beardbarian with Raspberry Rose. It was a good month!

Apricot Tea vs Moonlight

I started the August Pen/Ink Palette with an ink called Apricot Tea from Kakimori in the Conklin pen. I pick my colors using my sample cards and the sample book where I wrote out some stuff on the kind of paper I usually use right now. I currently don’t pull the ink bottles until the day I am going to fill the pen – which might change in the future haha. 

A hand holding a very small clear glass bottle with a silver cap with an opaque orange liquid inside.
Look at this tiny adorable bottle of ink! Also check out the milky texture…

When I pulled this ink out of the drawer to ink my pen I hesitated. The consistency or texture of the ink was more…milky? Viscous. That’s the word I want. Instead of the watery consistency I am used to. It seemed odd. Different from the majority of my other inks. So I rechecked the sample book…seemed fine? And I shrugged and put it in the Conklin Coronet Orange to check it out. 

A notebook page with Kakimori Apricot Tea ink sampled on it in various ways. It is not blurry.
Kakimori Apricot Tea sample page, which is NOT blurry. Rar.
A sample card with an orange ish swap at the top, text reads “Kakimori Apricot Tea xxxooosssssss” and a silver cap is resting on the card, has a sticker with an orange ish dot and a sticker with (23) written on it. The sample card is resting on a notebook page. There is text written on the page, it reads “Why must this be so friggin blurry?? I love this color so much! Oh well.
Kakimori Apricot Tea – so blurry.

That’s when things started to go wrong. When I wrote with this ink in this pen it was really feathery. What I mean by that is instead of nice, crisp, clean lines, the ink sort of blurs and soaks further into the page, and if you look really closely you can see the ink sort of feathering out and blurring the edges of the line. I am sure there is a cool art application for this, but I am not an artist in the classical sense, so mostly this is just annoying to me. 

Zoomed in on the text “Why must this be so friggin blurry?? I like this color so much! Oh well.”
Look at the feathering! I actually had trouble taking this pick because I couldn’t tell if it was in focus or not!!! Do not like.
The backside of a notebook page where you can clearly see the ink showing thru.
Also look at this bleed thru??? It’s so bad! Moonlight didn’t do this at ALL and neither do my other inks, including the suuuuper dark ones I’m using this month!!

I thought maybe the ink just needed to settle, so I left the pen alone over night but the next day it was still blurry. Which makes me grumpy. So I started investigating what was going on – was it the ink? Was it the pen? Well, I had made the original sample in the sample book with my glass dip pen – which was not blurry, for the record. I figured a good place to start is by replicating that, glass dip pen, dipped into ink bottle, write on paper, see what happens. I was extremely disappointed to see that the ink blurred with the glass dip pen this time. I’m not sure what happened between when I sampled it originally at the beginning of the year, and when I sampled it this month. From what I’ve read it is most likely a difference in the paper between the books. But, it could be the ink deteriorating as well – or even something like temperature maybe? It requires more research yay! I do like research.

I had a bit of a conundrum – do I write with a blurry ink all month and be grumpy every time I do – meaning I prolly wouldn’t use the pen? Or do I swap it out, right now. After consulting with husband who I would need to help me with the psychical side of things (like rinsing out the nibs and converters for me), I decided to swap them. But which ink do I use instead?

Apricot Tea sample card looks more like the Moonlight page sample, and vice versa!

I narrow my inks down for the monthly palette usually into two sets of options. I have so many samples now that I can get some good variety and some subtlety, which means I sometimes end up with colors that are super close to each other in both palettes. For the Apricot Tea, it’s partner in the other palette was Moonlight of Higashiyama from Kyo Iro. They look very similar. This time, before putting it in the pen, I dip sampled it and wrote on the paper I’d be using it on the most. What was funny is the sample card colors are almost the opposite of the sample I wrote out that day.

There is a sample card on the right side of this image with an orange ish swap of color at the top, and the text says “Kyo Iro Moonlight of Higashiyama xxxooosssss” and has a silver cap resting on it. The cap has a sticker dot of the orange ish color on it, and a sticker dot with (6) written on it. To the left of this card on a notebook page is the following text, “So this one is a similar color but completely different look!”
Kyo Iro Moonlight of Higashiyama! And a clear line sample…

And the results were – Moonlight was not blurry, but was the right kind of color I wanted for that spot in my palette. Looks like we have a winner! I’ve used this one in the pen a couple of times now – just short writing – and it looks good so far. So I’ll use this one for August and report back when I’m done! 

This kind of thing happens often enough that I am trying to think of ways to avoid this. For September I will be dip testing the inks before I decide on the palette finally for sure. The glass dip pen doesn’t always give me a good idea of what it will look like coming out of a pen, so I picked up a new metal tipped dip pen by Pilot – hope it shows up before September! I am hoping this gives me a better idea of what I’ll be seeing from the pen. What I’ll be looking for is how the ink shows up on the page color wise, how thick it runs, or how dry is the ink, how crisp are the edges of the line (although that is often more influenced by the nib you’re using, I’ve noticed), and how long it takes to dry. I might try dipping the actual nibs I am planning on using in the inks I am thinking about…not sure how that would work out…I’ll think about it, maybe give it a try. And let you all know how it goes! 

August Palette, Ink Colors Narrowed

Let’s continue where we left off, shall we? In my last post I showed you how I start to pick inks out for my monthly palette. I go thru all of the inks I have in my sample library and start – you know what? If you want to know more about how I started, go read THIS post. 

Today I narrowed down my choices to two different – but similar – palettes. I usually have a rather flamboyant ink in the pen I put my custom nib in. I had two options for August and I ended up picking the one I haven’t used yet, just for fun. It also happens to be a better option for my sunset theme.

2 sample cards laid on top of each other on a wooden desk. The swaps are both blue inks with red sheen and silver sparkle, but each is slightly different. The card on top is Birmingham Ink: Galactic (twinkle) and the one on the bottom is partially covered, but Ferris Wheel Press can be seen.
Ferris Wheel Press and Birmingham Ink
A single sample card on a wooden table of Ferris Wheel Press 
FerriTales: Down the Rabbit Hole
Tumbling Time Blue. There is a stamp on the card that looks like a fountain pen nib with a cats face engraved on it.
Ferris Wheel Press
FerriTales: Down the Rabbit Hole
Tumbling Time Blue

Next, I need to match my new colors to ones I end up keeping. For August I am keeping two inks from my July palette, an orange I am way too in love with and what I am referring as my Forever Purple. (It’s ColorVerse Hayabusa, in a Sailor Pro Gear Slim Northern Lights – it is my favorite.) Because my theme for August is “sunset,” and purple is technically a color that can be found in a sunset, I used that as an excuse to start this whole process. Any excuse to start with purples really. I’ve managed to keep purples relevant to these palettes for months now, haha. So, I took the Hayabusa sample and started by comparing the purples I have to that one. 

Two cards, side by side but overlapping a little in the middle. On the left is ColorVerse Hayabusa and on the right is PenBBS Purple Sky. Hayabusa is a sparkly warm purple, and Purple sky is cooler purple with no sparkle.
ColorVerse Hayabusa and PenBBS Purple Sky

Every purple in the pile gets compared back to the first purple. I am looking for two things primarily this time – a color that is distinct from the Forever Purple, but also goes with it. I discard purples that look too dark or too light or fall outside of the theme. I ended up with a lot of options left over – which is intentional. I don’t want to narrow it down too much at the beginning.

Pile of sample cards of purple inks, ranging from cool purples to warm purples. They are overlapping so the writing on them is close to each other.
Pile of sample cards of purple inks, ranging from cool purples to warm purples.

Once I have a more manageable collection of purples, I start adding in the magentas. I’ve already made certain decisions which can roll into the next color – for example, the samples that are too dark or light, those can be discarded quickly. And I can get rid of obviously too bright magentas. I’m again looking for a color that is distinct from the purples I have picked and yet still has a smooth transition which is the effect I am looking for this time. I ended up with a decent set of options.

Lots of sample cards on a wooden desk. The purples have been narrowed down to 4 options, and there are magenta sample cards placed around it in smaller groupings or singly.
The magenta sample cards are circling the line or purple sample cards.
5 purple sample cards in an overlapping line on top, 5 magenta sample cards on the bottom.
Two lines of sample cards, purple on top and magenta’s on bottom.

Next up are the oranges. I actually had three fairly distinct oranges – a darker orange, a sort of straight orange which is a bit brighter, and then a kind of peach color. All of these would work well in a sunset theme, but I needed to see what worked with the purples and magentas I pulled. Choices so far continue to help me make some easy choices. I’m always getting rid of colors that are darker or lighter than I want for that month’s palette. Now I remove doubles – colors that are super similar to each other – or practically identical. I ended up not being able to narrow this pile down too far, because I really liked the three distinct oranges I started with. No worries, I still have another color to look at, that should help me decide. 
To pick the yellows I really have to look at the writing on the card to see how readable it is. Many yellows are too hard to read when written with the nibs I use. And for the palette I’m looking for, I got rid of the darker ones as well. 
Actually, I use the writing on each card to make my choices. So I’ll line up the cards so the writing is side by side. The swabs are gorgeous and good for picking broad swathes of color. But often the writing turns out very different from the swab. Close enough but when I am getting down to picking a color for sure, I want to look at the writing on the card. 

Line of 5 purple cards, underneath that is 5 magenta cards, below that is 5 darker orange cards, then 6 medium/bright oranges, under those are 3 peach colored oranges, next is 4 orange/yellows, then 5 brighter yellows. These rows are all overlapping the ones above and below and beside each other.
7 lines of sample cards overlapped so the writing on each card is closer to other cards writing.

Next I narrow things down, this time I end up with 3-4 options per color. Each color gets compared to the one before it. I want a transition that reminds me of a sunset, so I’m comparing each color to the ones on either side, so I don’t end up just matching everything off the Forever Purple. Frankly, if the palette I end up with doesn’t work well with that purple – it’s fine. I have two colors that have been constant for months now, and they don’t have to go with the palette because I am keeping them for different reasons. I’ll go into that in another post. 

Sample cards still laid out in rows by color grouping, with new group colors overlapping them from top to bottom. 3 purples, 3 magentas, 2 darker oranges, 4 medium/bright oranges, 3 peach oranges, 3 orange/yellows, 3 yellows.
Narrowed down choices for each color.

And lastly – my choices, and my secondary choices. This is where I narrow things down to two very similar palette’s. I do this for three reasons. Firstly, I want to be able to walk away and look at something else for a bit before making the final decision. At this point I will have been staring at these colors for at least a half hour. Second, Husband is the color expert in this house. He literally used to do that for a living, making sure colors were accurate. And third is that I like keeping him involved in my silly hobby. This is an easy for us to collaborate. And it’s fun explaining my thought process to him and what I am looking for. 

First palette option:
ColorVerse, Hayabusa
Van Dieman’s Harvest Collection, Beetroot Relish
Diamine 2021 Inkvent, Raspberry Rose
Kakimori, Apricot Tea
Diamine 2021 Inkvent, Peach Punch
Ferris Wheel Press, Pumpkin Patch
Diamine 2021 Inkvent, Wonderland
Diamine 2019 Inkvent, Gold Star
Sailor Ink, Studio 770
Second Palette Option:
Van Dieman’s Harvest Collection, Tasmanian Lavendar
Kyo Iro, Cherry Blossom of Keage
Kyo Iro, Moonlight of Higashiyama
Van Dieman’s Harvest Collection, Apricot
PenBBS, #517 Cold Dews
Kiwi Ink, Liquid Gold
PenBBS, #501 Spring Festival

And that’s where I’ll leave it today! When I’ve got these two sets of options like this I can start seriously matching pens to the possible ink colors. Often I have some ideas already – for example, I had already pulled all of my orange pens for this palette as soon as I decided on the sunset theme. I also have a new purple and a new tiny clear one I want to try. But I don’t always know which colors I am going to pick until the very end and sometimes I don’t know when a new pen might be coming in, so I keep my options open.

By next weekend – the end of the month – I will have picked both the palette and the pens, because I’ll need to set them up and I’ll reveal that next time! Until then, if you have a favorite color from this post, please share!

First palette option in a row on top, second palette option in a row on the bottom.
First palette option in a row on top, second palette option in a row on the bottom.