All posts by sadieight

September Daily Sample Review, Akkerman

I was really intrigued by the shape of Akkerman’s bottles. They look antique and have a glass marble in the neck which is to help make filling the pen easier. It’s a really interesting idea! I sampled this month out of vials, but I may decide I need a whole bottle of at least one color so I can try out this whole marble thing. I believe the inks I sampled this month were from a line to honor their 100 years of existence in 2010, and the names are related to the city of The Hague. Fun!

A notebook page listing the inks that were sampled in September. The list can be found in the post.The inks are listed twice, once on the left in alternating purple and orange ink. The list on the right is in the color of the day. There is also a dot of color on the left edge of the page matching the right side list.
I like to list the inks out ahead of time and then rewrite them in that day’s ink sample, also I find making the color dots every day very fun. Look at how fun that looks!

It didn’t take me long to realize I was going to be sampling colors grouped together – which ended up being something I found really pleasing – for some reason? Although I wish the purple group had been larger, sigh. Quite the variety of blues and reds. The greens were also a small group – so my two favorite colors, the least number of inks. Boooo.
None of these popped out at me, but I have heard they are very solid and reliable inks. So I assume at some point in the future I’ll need one for a good basic color. They performed well and consistently when I was sampling them. More specifics with the color groupings below! 

11 sample cards of different blue stacked on top of each other, only the color band at the top is visible on 10 of the cards. The last one is fully visible. It reads “Akkerman 11 Treves Turquoise, xxxooosssssss, 22SeptVent-11, standard” There is a stamp of a nib with a B on it, and a pool of the color used on the card.
So many blues! Each distinct.

The Blues! Listed in order seen on photo from top to bottom.

01 Passage Blauw

02 Redidentie Blauw

03 Blauw 

04 Nassaus Blauw

05 Shocking Blue

06 Binnenhof Blues

07 Koninginne Nach-Blauw

08 DiepDuin Water Blauw

09 Laan van Niew Oost-Indigo

10 Ijzer-galnoten Blauw-Zwart

11 Treves Turquois 

I think by the fourth or fifth blue I was just impressed at how many blues their were already and still to come! I like that there is a wide variety and that none of them look exactly the same. There are two or three in there that are similar, but still distinct. And 05, Shocking Blue, looks like something I’ll use in a future palette…

4 sample cards of different purples stacked on top of each other, only the color band at the top is visible on 3 of the cards. The last one is fully visible. It reads “Akkerman 15 Voorhout Violet, xxxooosssssss, 22SeptVent-15, standard” There is a stamp of a nib with a B on it, and a pool of the color used on the card.
4 purples – only 4! And that’s only if you consider Magenta a purple which…I sometimes do not. Sad Spoon.

The Purples!

12 Mauritshuis Magenta

13 Simplisties Violet

14 Parkpop Purpur

15 Voorhout Violet

There weren’t as many of these, but I do love them. I’m not a huge fan of magenta’s, but the other three are really pretty, and I hope I have an excuse to use them soon. Especially that 13, Simplisties Violet! 

8 sample cards of an orange, different reds, and a couple of browns stacked on top of each other, only the color band at the top is visible on 7 of the cards. The last one is fully visible. It reads “Akkerman 23 Bekakt Haags, xxxooosssssss, 22SeptVent-23, standard” There is a stamp of a nib with a B on it, and a pool of the color used on the card.

The Reds! Okay maybe more than just reds…

16 Oranje Boven

17 Staten-Generaal Rood

18 Garuda Rood

19 Rood Haags Pluche

20 Pulchri Pink

21 ChinaTown Red

22 Hopjesbruin

23 Bekakt Haags

Okay, so there is an orange and some tan/browns mixed into this pile, but its close enough! Let’s call these Fall colors instead of just Reds…Red is not my favorite color ink, but I found a couple of these intriguing. Super not a fan or tan/brown but they are still solid colors. And orange is becoming a favorite ink color for some reason, so glad that I got at least one of those!

7 sample cards of different greens and greys stacked on top of each other, only the color band at the top is visible on 6 of the cards. The last one is fully visible. It reads “Akkerman 30 Het Swarte Pad, xxxooosssssss, 22SeptVent-30, standard” There is a stamp of a nib with a B on it, and a pool of the color used on the card.
Greens and greys!

The Greens!

24 Zuiderpark Blue-Green

25 Denneweg Groen

26 Goenmarkt Smaragd

27 Bezuidenwoud Groen

28 Hofkwartier Groen

29 Hofvijer Grijs 

30 Het Zwarte Pad

Greens! I’m always looking for good greens, because they go well with purples! There is a good variety here. There are also two greys which is nice. The only color really missing is a yellow, but not a bad rainbow!

A close up of a planner notebook page. This page is for a single line for each day, and starts with “9 September” and the space underneath says “Akkerman.” Each line starts with a number of the day and the first letter of the day of the week. Each line is a different color, from the daily sample used.

Overall I enjoyed this month’s inks. None of them seemed to really be problematic at all, and all of them will be solid additions to my library. Now…which one do I buy a bottle of… 🙂 

September Pen/Ink Palette: Fall – Review

I enjoyed my palette this month. Fall is not my favorite season weather wise but the house I grew up in was always very very decorated for fall. Very decorated. So I guess now as an adult, I find a fall palette pleasing. I spent a lot of my growing up years in Maine, and the fall leaves there are literally a thing people will take a vacation to go see. Worth it. 

I used a dusky blue, a darker green and a light green, three different shades of orange and two of an orangish and darkish yellow. I felt that this spread covered what I remember of the woods in the autumn, on long drives in Maine. I googled fall palettes, and found one that looked about right and then winnowed down until I had what I ended up using. 

I got to try out a bunch of new inks and a couple of new pens. I made a couple of changes for the pens I started out using:
1. Sailor Pro Gear Slim – Purple Northern Lights (MF) / ColorVerse 54 Hayabusa Glistening
– This is my Forever Purple pen, continues to perform admirably! 
2. Sailor Pro Gear Slim Mini – Night Blue (MF) / ColorVerse Cat
– This is my new Forever Blue pen, had a couple of issues with it sticking a little bit, but that seems to be something I am just going to have to deal with when using ColorVerse Cat. Sad pants.
3. Esterbrook JR Pocket Paradise – Blue Breeze ( F) / PenBBS Break
– This blue ink is really perfect for a fall and I enjoyed writing with it, zero problems. Soothing, really.
4. Hong Dian 5019, Lan Tian – May Flowers (EF) / Ferris Wheel Press Moonlight Jade 
– My Magic Green pen, continues to be magic. 
5. Esterbrook JR Picket Paradise – Key Lime (F) / Wearingeul Flowing Leaves 
– I already knew I liked this pen but I ended up really adoring this shade of green. And the shimmer behaves beautifully. 
6. TWSBI Diamond 580 – Iris (F) / Kiwi Ink Quetzalcoatl
– I do love my Diamond pens. And I’ve used Quetzalcoatl before and it was as lovely as I remember. Although, it’s supposed to be a sheen AND shimmer ink, but the shimmer never comes through on page. I have two theories – one is that the paper I am using just shows sheen better. The second is that sheen always trumps shimmer. I really need to experiment more with papers…
7. Beardbarian Woodworking – Copper Eclipse Sunset (F) / Ferris Wheel Press Candy Marsala
– I really love this pen. Marsala came through lovely, and only got a little stuck once or twice, but resolved on it’s own. 
8. Majohn Wancai Mini Fountain Pen – Transparent Clear (F) Monteverde Strata – Red (F)  / Diamine 2021 Inkvent Vintage Copper
– I switched pens purely because this Monteverde pen was a sparkly red and came in my monthly Truphae box. It writes okay, gets sticky sometimes. Vintage Copper is one of my very favorite inks, but fun fact – I accidentally put some Raspberry Rose back in here when I was emptying some pens about a year ago. It doesn’t seem to have changed the color of this sample bottle of Vintage Copper, but who knows. 
9. Kaweco AL Sport – Gold (B) PenBBS 456 Fountain Pen – Autumn (F) / Kiwi Liquid Gold
– I kept finding ink inside the lid and all over the nib even when the pen hadn’t been dropped, so when my new PenBBS showed up, I switched over. I still haven’t figured out vacuum pens, but that’s on me. I love the way both of my PenBBS pens look, and the writing on this one was mostly fine. The color variations and shimmer came thru nicer with the broad nib, but this wasn’t terrible. I think the times where it felt like the ink wasn’t flowing well was something to do with me not using the vacuum part correctly. I’ll figure it out eventually. 
10. Esterbook JR Pocket Paradise Pocket Pen – Yellow (1.1m Stub) / ColorVerse Rising Reflections
– This is the first time I have used a 1.1m Stub nib and I loved it! Shows off the ColorVerse Rising Reflections shimmer beautifully!


I am considering keeping Flowing Leaves and Vintage Copper for my “Monster” palette in October. I like how Flowing Leaves flows and decided it worked well for Zombie – and Vintage Copper looks good for Vampire. 

I really want to figure out how vacuum pens work. Must science it. My favorite discovery of my palette this month was the 1.1 Stub nib – it’s so good! I wish I wrote larger when journaling, I only ended up using it for headings. It was odd not using any Kaweco’s. I count this palette as a success! 

October Pen/Ink Palette: Monsters/Spoop

A purple notebook and pen holder. There are 10 pens on the left, 9 of them in loops, 1 loose. From top to bottom, a light silver, a darker grey, a blue, purple, white swirl, a dark purple, a light blue/purple, a light green, a dark green, an orange, a red, and a yellow. Above the notebook/pen case is a 3 pen pen case, with the Forever Purple and Blue pens, and the Magic Green pen. On the right of the notebook/pen holder is a purple notebook with two stickers on it. In the top left corner the sticker is 4 ghosts looking out of a front door and a welcome mat. In the bottom right hand corner is a green octopus with a red knit hat and a blue flannel coat. He has a fountain pen in two tentacles, a pumpkin in another, and a coffee cup in another. He is sitting in a pile of autumn leaves.
These are the pens and Captain Log I will be using for October!

Yeah, the theme for this month is definitely not hard to puzzle out – Halloween is in October, Monsters and Spoopy things are Halloween related, therefore! Yeah, it’s not hard. I actually ended up picking out the inks themselves and then relating them to “monsters” – although that word was definitely stretched to fit in several cases…

I concentrated on Purple, Greens, and Oranges, specifically in a saturated fashion. After a WHOLE MONTH with only my one usual Forever Purple in September, I was very excited to play with purples again! Which, ahem, has nothing to do with why I picked purples, I mean, purples are totally a Halloween color, right? Right.

I am using a lot of shimmer, and a lot of inks from my August Daily Samples – Wearingeul – and I am very excited. So, let’s take a look at what “spoopy monsters” I used to justify the colors I picked!

On the left side is a grey ink paired with a silver pen, a silver ink paired with a dark grey pen, a sparkle purple ink paired with a purple and white swirly pen, a dark purple ink with a dark purple pen, and a blue ish ink paired with a blueish pen. On the righ side is a sparkly green ink paired with a light green pen, a light green ink paired with a dark green pen, a bright orange ink paired with a bright orange pen, a dark orange ink paired with a sparkly red pen, and a yellow ink paired with a yellow pen.
All 10 ink sample cards paired with 10 fountain pens.
  1. Skeleton: Ohto – Tasche FF 10T (?) / Diamine Inkvent 2021 – Ash 
  2. Ghost: Pelikan M205 – Moonstone (EF) / Vinta Inks, Fairytale Collection – Clouds of Grey
  3. Witch: Mad Science Pen Company, Hooded Ranger – Proton (F) / Wearingeul, Yi Sang Series – Soyeongwije 
  4. Purple People Eater: Sailor Limited Edition Pro Gear Slim Sapporo – Demonstrator Wisteria Purple (MF) / PenBBS – #095 Lin Huiyin 
  5. Frank, the Demonic Octopus: Sailor Professional Gear Slim, Manyo – Dianthus (MF) / Diamine Inkvent 2021- Nightshade 
  6. Zombie: Esterbrook JR Picket Paradise – Key Lime (F) / Wearingeul Flowing Leaves
  7. Frankenstein: Kaweco AL Sport Aurora Limited (F) / Kyo No Oto – Moegiiro 
  8. Pumpkin Head: Kaweco AL Sport Limited Edition – Orange (F) / Troublemaker – Mango
  9. Vampire: Monteverde Strata – Red (F)  / Diamine 2021 Inkvent Vintage Copper
  10. Werewolf: Esterbook JR Pocket Paradise Pocket Pen – Yellow (1.1m Stub) / Van Dieman, Midnight Collection – Howl at the Moon

(Also the two forever pens and the magic pen – but technically they are not part of this palette, so! I will not be including them in this list.) 

I am very excited about the purple Wearingeul ink and the Vinta. Those look very promising in this dip test:

Each line is written in a different color. Each line reads the “monster” it is inspired by, and the phrase “the quick brown fox jumps over the lazy dog.” I will describe the color of the ink and then the “monster” it was inspired by. . 
Dark Blue: “Oct “Monster” Pen Palette Dip Test”
Dark grey: “Skeleton,” Ash
Light Grey: “Ghost” Clouds of Grey
Dark purple with shimmer: “Witch” Soyeongwije
Purple: “Purple People Eater” #095 Lin Huiyin 
Blueish: “Frank, the Demonic Octopus” Nightshade
Green: “Zombie” Flowing Leaves
Light Green: “Frankenstein” Moegiiro
Orange: “Pumpkin Head” Mango
Red: “Vampire” Vintage Copper
Yellow: “Werewolf” Howl at the Moon
October Monster INK Palette – it should say! Since I used a metal dip pen to sample each one.

Howl at the Moon seemed like an ink that is to pale to use very much when I first sampled it back in December, but now I have started using stub nibs and I want to see how well the ink shows up from a broader nib! And I got the Troublemaker ink in the September Ink Flight and I fell instantly in love, so barely looked at other oranges when I was picking those out haha. Oh! And Frank, the Demonic Octopus is a reference to a creature my Game Master for a game of Dungeons and Dragons introduced, we fought, and my character – an ambulatory wheelchair using Wizard Librarian, who casts spells with a fountain pen and ink – got a bottle of demonic octopus ink. 🙂 Really I am excited about all of these inks, but thought calling out those specifics would be fun. 

October Daily Samples, Pennonia

From the top down, a clear drawer with 31 ink vials, laying on their sides. Each vial has a white cap, and the inks are various colors. The labels are not all readable because they wrap around the vial, they are also all different colors, unsure if they match the ink witching the vial.
31 Pennonia ink sample vials – October is going to be fun!

Pennonia is another manufacturer that numbers their inks, and it snagged my interest again. The company is based out of Romania, started in 2018, and is owned but what looks like a very passionate fountain pen ink maker! Something he calls out is that from what he knows, he was the first to introduce mixable shimmer powers and mixable liquid shimmer additives to the community. Which I want to look into – immediately! I do love me my shimmer. 

I am not sure if any of these have shimmer in them because while I do handle them I specifically try not to really look at what is in the vial. So we shall see! If I had to guess, I am betting there are no shimmer inks, due to the comment about additives! Let’s see if I’m right at the end of the month…

This is the order I will be sampling these in the month of October, and apologies if I got any spellings wrong, I double checked them but my auto correct is aggressive:

001 Orgona Lilac

002 Balaton Kek

003 Ragu Bubblegum

004 Danuvius Danube

005 Zuzmo Lichen

006 Abigel

007 Kekek Kekje 

008 Patina

009 Gyermeklancfu

010 Selyempezsgo 

011 Fekete Sas 

012 Almazold Apple Green

013 Csillant Nettle 

014 Dungo 

015 Hupikek Whoopie Blue 

016 Kekfesto 

017 Lila Arnyek Purple

018 Meggyes Sour Cherry 

019 Meregzold 

020 Ordogi Volos Devil Red

021 Roka Koma Fox Friend

022 Tihanyi Lila 

023 Torokkek Turkish Blue

024 Vattacukor

025 Viharfelho 

026 Kekfeny

027 Mustvoros Young Wine

028 Gesztenyebarna Chestnut 

029 Rezvoros Copper

030 Zoldike 

031 Godenyzold Pelikan  

31 individual vials, with white lids and three sticker dots on each one. They are numbered, 1-31. Each one also has one blank white sticker and a dated sticker, 10.22.
31 Pennonia inks in the awesome vial trays my husband designed and printed for me!

September Subscriptions Samples Review – (Ink Flight) Troublemaker, (Truphae) Private Reserve

I have added Ink Flight subscriptions to my monthly fun! I had to, there are 7 samples per month, so of course I needed it. I also noticed they have some other fun stuff, like stickers or puzzles, and I thought heck why not. Trying new inks is a greatly pleasing and calming for me. 

Anyway! 

Lime green tray with seven vials of ink arranged around the paper with Ink Flight’s logo, September 2022, and text related to the Troublemaker’s inks.
My first Ink Flight! Also, that tray? Husband designed and printed it. He’s pretty cool!

September Ink Flight Sample Subscription was for Troublemaker inks – which I haven’t tried yet, but now I want to get a bunch more! I enjoyed these inks a lot, they stayed on the metal nib, and applied to the paper pleasingly. There are several multi-chromatic inks, which are becoming my favorite thing these days, and the shimmer inks looked well distributed. 

7 ink vials frame a sticker of an octopus in a knit hat and flannel coat, holding a pen, pumpkin, and a cup. There is a long narrow piece of paper listing all of the inks. Below that is a clear plastic bag with empty ink cartridges and a syringe labeled Private Reserve Ink. In the bottom left hand corner is a sheet of stickers that look like different kinds of pens.
Okay, look at that sticker, how cute is that??? And suspiciously well timed refillable cartridge kit…

There was also an adorable sticker of an octopus wearing flannel and a knit hat, holding a pen and tea – clearly intended for my October Captain’s Log. The cartridge kit is something I am very excited about because I was thinking about getting into refillable cartridges so I can use some tinier pens and here comes this kit! And the pen stickers are shiny, which is delightful. I really enjoy the descriptions Ink Flight sends with the inks because I’ve been learning a lot from how folks with more experience describe inks. 

4 journal pages overlapping so each page can be seen enough to see the color. There is a maroon, a yellowish green, an orange, and a blue. The blue one is the only page mostly visible. There is an ink bottle stamp colored in with blue ink. The same blue ink was used to make triangle and circle shapes, some continuous s shapes, and straight lines. The text says “Troublemaker, Abalone, multichromatic, iro-utsushi, map”
First time I’ve tried Troublemaker inks and it was a lovely experience! Nenite, Tuslob Buwa, Mango, and Abalone.

Now for the inks!

Troublemaker:

Nenita, Ended up sort of a maroon color but the green sheen on top made it more brown than anything else.  

Tuslob Buwa, Goose poop. I think I have three different samples in this shade now…ew? 

Mango, I really liked the color and the way it shades when written, I’ll be using this one in my October Pen/Ink Palette! (Monster theme, this one is for Pumpkin Head!)

Abalone, This is a really pretty blue, very much in the denim realm, but I would call this one a soft denim, it’s supposed to be multi-chromatic, but I wasn’t getting any of the lavender to come thru – maybe I need a different paper!

3 overlapping pages, a grey, a dark green, and a blueish purple. The page with the grey ink is the most visible. There is an ink stamp colored in with grey ink. To the left of that is a pool of the same ink, but greens and pinks can be seen. There are triangle and circle shapes, continuous s shapes, and straight lines. The only text that can be seen read “fox jumps over the lazy dog.”
Moon River, Polar Lights, and Foxglove

Moon River, I’d call this one a sort of grey ish lavender, doesn’t come across in the picture very well but it’s a really interesting multi-chromatic shading ink. I do like my weird grey inks.

Polar Lights, Sort of a super dark avocado green, looks black, but has a light blue shimmer that looks really neat in pools. Might be fun in a broader nib. The description says it’s a purple black ink and I super disagree! 😂

Foxglove, Fun shading lavender, light but should be fairly readable. I see pinks and blues in the multi-chromatic bits and these make me want to try a multi-shader palette some month! Maybe February…

A lime green vial tray with 5 ink vials. Each one contains a brightly colored ink. An empty plastic bag with a label is resting in front of the vials. Each line is written in that color ink. It reads “Private Reserve Inks, 1 Neon Fuschia, 2 Neon Orange, 3 Neon Yello, 4 Neon Green, and 5 Neon Blue.
Truphae! Third Private Reserve subscription!

My Truphae Sample Subscription this month was of Private Reserve Neon inks. I think this is the third pack of Private Reserve inks I’ve gotten from Truphae so far. I’ll need to go back and piece things together, but I’ve sampled an Infinity pack and a Silvers pack prior to this, for sure. Anyway! Neons aren’t my usual thing, but I think I would like to try these out on a fountain pen friendly black paper at some point. 

A red sparkly pen with silver hardware.
Look at the pretty peeeeeeen!

The subscription I have from Truphae includes a pen, and this month I got a Monteverde Strata, Red with a Fine nib. I got it in time to use for my September Pen/Ink Palette. I will talk more about that combo in the Palette post, but the reason I wanted to use it was the sparkly red finish, the weight felt nice in my hands, and I have had good experiences so far with Monteverde pens. It worked out well, and I’ll be using it in October as well! 

3 overlapping pages, a bright pink, a bright yellow and a bright blue. The pink is the only one visible. A stamp of an ink bottle, with pink ink colored in, a pool of the same color ink, triangle, continuous s shapes, and straight lines. The text reads “9.18 SeptTruphae”
Neon Fuschia, Neon Yellow, Neon Blue.

Now for the inks!

Private Reserve:

Neon Fuschia, this ended up being suuuuper pink, which is not my favorite color haha.

Neon Yellow, so bright, so unreadable! Curious how readable it would be on a black paper… 

Neon Blue, as usual, this one was the darkest of the bunch. Not sure I would call it neon per se, but it is on the brighter side. 

2 overlapping pages, a washed out orange, and a bright green. The fully visible page is of the green ink. The ink bottle stamp is colored in with the green ink, also a pool of green. Triangle, circle, continous s shapes, and straight lines. The text reads “Private Reserve, Neon Green, standard, iro-utsushi, mdp”
Neon Orange, Neon Green

Neon Orange, very light, almost seems washed out, not as vibrant as the pink or yellow. 

Neon Green, Not sure I would call this one neon either, but it is bright. 

Over all, not sure I’ll end up using any of these anytime soon, but they will probably end up useful at some point! Now, where can I find nice and fountain pen friendly black paper…hmmm… 

And that’s September! 

Morning Daily Sample/Pen Routine – Calibration

Any one wondering why I started sampling a new ink every day? It hit me one day that it was multi dimensional. Originally I thought it was just because of how delighted I was sampling inks  when I got the 2021 Inkvent Calendar. It was more than a year into the pandemic – I needed some good distractions. Advent calendars are something you open once a day for 25 days – a small joy, for 25 days in a row. I got about a week into it and I was hooked. I decided to rebuild the 2019 Inkvent calendar, to open in November, then thought in December I could try out some more shimmer inks, then…it continued. 

What it turned into was a Routine – with a capitol R. Routines for me are fairly inflexible and are intended to set a tone or a mood. They tend to be coupled with what I’ve been calling Transitions and Sectors (an idea I developed after reading Jamie Knight & Lion’s ideas on tunnels, mine are more about orienting myself in space, to help me navigate). Routines are comforting for me as an Autistic with ADHD, and it’s something that becomes easy to follow, which is helpful when I am low on spoons, or overwhelmed, or exhausted. And Sectors are helpful because I have set up spaces that are intended for a small palette of topics. A lot of people do this actually, not just Autistics or ADHD – someone might have a workshop or a craft room. I do something similar but with a lot of intentionality and practiced focus. Which tends to result in a heightened state of concentration – but only on what is intended in that space – or sector. For example, if I am in my study, which is not a space I use for work, I find it very difficult to concentrate on a work topic. But when I am in my office, which is the Sector I use for work – I find it’s easy to concentrate on work. 

What does all of this have to do with pens????? Well. Routines and Transitions and Sectors are how I manage my need for executive functions. It’s basically how I get myself to do stuff haha. And I’ve done a lot of research and thinking about how to get myself to engage with things, when I hit a period of Autistic Burnout in 2021. Actually, I developed this thinking alongside my interest in fountain pens and inks. For several reasons I am continuing to discover and develop, a solid way for me to engage in something is to tie it into fountain pens and inks. 

For example. Getting out of bed can be difficult because of the energy it takes to get started when waking up in pain. And getting out of bed will only increase the pain. When you wake up in pain every day, for years, the motivation to get out of bed dwindles. But. You’ve gotta get out of bed. Sounds simple, doesn’t it? Not when you have Chronic Pain and are ADHD. So, I handle this with Routines and Transitions and Sectors. Getting out of bed means I get to go to the desk in my study, which is the Sector that is set up for me to sample inks. The Routine is what I do to get from bed to desk. The Sector is the desk in the study. And the Transition is the time between bed and eating breakfast. Most times, that’s enough. Our morning routine accommodates the time it takes – I do this while Aaron makes breakfast. Once I am at that desk, I am comfortable and I have a a defined task which I don’t even have to think too hard about. I can complete a task that I enjoy, first thing in the morning. The routine is calming, soothing.

Sitting at that desk is comfortable because every thing I need is within reach. There is only the usual expected chaos in the house (dogs going out, getting fed, kitchen noises). I have a pre defined and agreed on amount of time to do something I find extremely comforting, and sets me up to use my systems for the rest of the day. Timing is extremely important, but I’ll get into that later. The routine we have in the morning, when I am in the sector for pens and inks, I am specifically looking for what my range of motion, pain levels, and sensory sensitivities will be like that day. And all of that data helps me be successful with my day. 

There are big movements – walking, transferring from one chair to another. I get that data from getting to my desk from the bedroom, getting dressed. There are small movements – opening drawers to get the supplies I use, manipulating those tools to apply the ink to the sample card and my notebooks with a q-tip and a dip pen. There are big sounds – boiling kettle, talking to the dogs, dishes hitting the counter. There are small sounds – drawers opening, tea being poured, pen on paper. 

If I have trouble getting from my wheelchair to the desk chair, or reaching out to the drawer, or handling the pen, then I know I need to be very careful with my movements that day. If I’m careful, I can conserve energy, instead of wasting it and finding out the hard way that I should have been careful. If the sounds in the kitchen are overwhelming me then I know I need to be careful with sounds and other sensory input like light or textures or food. If I am careful and wear noise canceling headphones, dim the lights preemptively, don’t eat stressful foods, then I can prevent a melt down. Or at least reduce the likelihood. 

Over time this routine solidified into something I need to get myself going in the morning. Some people go for a run, or sit on the porch with a hot cup of coffee, or journal for an hour. I listen to tea being made and sample inks. 

Morning Daily Sample/Pen Routine – Process

Alright, you know those posts I have about the daily samples? Well, let’s get into the technical specifics of how I currently do my daily morning ink and pen routine. I assume someone out there will get something out of it. Here we go!

Step One:

Three notebooks stacked on top of each other. The one on top is a Hobonichi Techo 2022 Original, underneath is a textured black notebook with a Goulet Pens purple ink splatter sticker on the cover, and the one on the bottom is purple, with 2 stickers visible. The top sticker is a lightbulbs with a garden and a black cat inside. And the bottom one is partially obscured, but the whole thing says, Don’t Believe Every Thought You Think.
Set up the notebooks. For this I add some stickers to the pages where I start today in my Captain’s Log, and that day’s page in my Nightly Journal. I also pull out my Daily Sample Journal. 

Step Two:

On a wooden desk are:
- paper towel which caught a ton of ink drops and spills 
- a blank white sample card
- a purple vial holder in the shape of a giant d20, which is holding a vial with a cap that has three white stickers on top. One is blank, one says “4” and the other says “9.22”
- a grey dip pen with a protector over the metal nib, and is resting on a glass pen holder
- a stamp ink pad with the lid taken off
- a stamp with the shape of a B nib
Pull out the sampling supplies. First, the sample vial, which I put in the 3D printed d20 vial holder Aaron made me. Next I pull out the nib stamp I am using that month and the ink pad for it. Then the dip pen I am using – currently an Iro-utsushi, metal nib instead of glass. Last the two paper towels I use – one where I can catch any spills and one where I can rest the q-tip when I am done with it.

Step Three:

A wooden desk with various ink sampling supplies. Centered is a sample card with blue ink swapped across the top, a black nib stamped on the right side, and drips of ink off the nib tip and a larger pool of ink.
This is where I start putting ink down on paper. I use a q-tip to pick up ink from the vial and swab the top of a sample card. Then I’ll stamp the card with that month’s nib stamp. Next I pick up a little more ink and use it to make a puddle of ink on the card, making it look like the ink is dripping off the tip of the stamped ink nib.

Step 4:

6 places that had ink applied by a q-tip:
- the top of an ink vial lid - the blank dot has had a drop of ink applied
- My Captain’s Log page that lists the Akkerman inks for that month, a drop of ink has been applied next to the #4
- the sample card with ink on the top of the card and a puddle of ink
- the daily sample journal page with the puddle of ink and the stamped ink bottle filled in with color
I use this q-tip in seven spots, funnily enough. The swab at the top of the card, the ink puddle on the card, an ink puddle on that days journal sample page, a dot on top of the vial lid, a dot next to the name of the ink written out in that month’s list, then I swab in the ink bottle stamp on that days page, then! 

Step Five:

A close up of a page in a planner, each line with the day of the month to the left. At the top is “9” and “September,” underneath I have written Akkerman in purple. There are four days visible, each with a line of ink drawn from right to left - they are all different color blues.
Seventh and finally for the q-tip, a line of ink on the page that lists every day of months in a column. And then I rest it on a paper towel because it pulls the rest of the ink out slowly and sometimes you can see some really interesting color separations. 
Two notebooks, the smaller planner resting on the larger. In the planner, you can see “04 Nassaus Blauw” and a square of the same color to the left. The larger notebook page is for September Daily Samples for Akkerman, with the first 4 ink names listed twice - once on the left in alternating orange and purple, and once on the right in that days ink color. There are drops of ink on the far left of that days ink.
Once the q-tip is done – moving on to using the dip pen. I start with the Captain’s Log and Nightly Journal – I write out the name of the ink on the page I list all of that month’s inks next to itself. Then I write it again at the top of that days Nightly Journal page, and fill in a square – the top of those pages have a very short checklist, so I basically color in the box you’d normally mark when something is done. 

Step Seven:

The sample card has a swatch of ink applied to the top of the card, there is a nib stamp with what looks like the same ink dripping off the nib and into a puddle. The card text reads: 
Akkerman
04 Nassaus Blue
Xxxooosssssss
22SeptVent-4
Standard
Next is the sample card. I put the ink manufacturer, series if applicable, name, and some test x’s, o’s, and interconnected s’s. I also add which month it is usually by year, month, “vent” and the day – for example, 22SeptVent-4. And last I put the kind of ink it is on the right edge of the card – standard, shimmer, or sheen – those are the three types I’ve sampled so far. Well, ColorVerse calls their shimmers “glistening” and there are some shading inks that go by different shades. 

Step Eight:

A notebook page - there is a sticker applied to the top left corner, it looks like a sample that has floating lantern art. To the right of the sticker is text reading “04 Nassaus Blauw” with scribbled marks to the left and underneath and the right side. In gold ink in the top right hand corner the text reads “9.4.22 Sun”
I write the name of the ink in one last spot in my Captain’s Log – that days first page.

Step Nine:

A planner page - what is on this page is explained in the caption of the photo.
Then I switch over to the Daily Ink Sample Journal. I make 4 squares, 4 circles, and 4 triangles all filled in. Then I scribble a square to be as saturated as I can make it. Then more interconnected squiggles. Below that I put the same info I had on the sample card – manufacturer, series, name and then whether it is a standard ink or not, and finally which dip pen I am using. Beside that I draw straight lines until the ink starts to fade. Below that I write “the quick brown fox jumps over the lazy dog” because that phrase has every single letter of the English alphabet at least one. Then a line of dots and dashes. Then a description and my FEELINGS about the ink. Lastly, after one last dip into the vial, I draw what I call my sharp squiggles – it’s just a mess really, but I find the motions soothing and the visual appealing.

Step Ten:

A notebook page - there is a sticker applied to the top left corner, it looks like a sample that has floating lantern art. To the right of the sticker is text reading “04 Nassaus Blauw” with scribbled marks to the left and underneath and the right side. In gold ink in the top right hand corner the text reads “9.4.22 Sun”
underneath is the text “the quick brown fox jumps over the lazy dog” written 10 times, in 10 different inks. The first is purple, the next two are different blues, the next two are different greens, a shiny red with gold sheen, a maroon, a orangey red with gold shimmer, a yellow orange, and a gold with gold shimmer.
I finish by testing all of the pens I have inked that day. I started doing this when I would find a pen wasn’t working well in the middle of the word day which was so very frustrating! So the pen test gives me an idea of which ones to avoid that day haha. In this photo I just repeat the quick brown fox sentence, but really I’ll just write down my thoughts, changing pen colors on every line.

And that’s it! When I first got started with this I would just ink up the sample card, usually just with a square swab applied by q-tip and the ink manufacturer and name. I added the daily sample journal later. Then I added writing it in my Captain’s Log, then my nightly journal, etc. It has evolved over time. I switched from a glass nib dip pen to a metal nib – recently, actually. I’ve changed up the kind of sample cards I use for samples and I have changed the format I use on the card. Huh…this line of thought could end up being a whole other post. So I will leave it there!

I want to share these kinds of things in case it is helpful to someone. And I love collecting this data and putting it somewhere, so throwing it on this blog seems like a good place for it.  

How I Got Started – The Whole Pen Thing

A little over a year ago, I was sitting on a couch, trying to figure out how to get my life organized. Imagine, 2021, a year and more into the pandemic. It was August, and I had made it to the weekend absolutely exhausted. With my chronic pain as bad as it was, that’s what a weeks worth of work would do to me – exhaust me. And then it would take me all weekend of doing nothing to get back into a state where I could just go to work again. My brain fog was at an all time high. Staying organized and being able to emotionally regulate felt impossible. I stopped most of my hobbies and socializing. I woke up, went to work, and then went back to bed until the next day, for months. I didn’t even have the energy to figure out how to fix it. Doesn’t that sound like fun?

First attempt at a notebook system configuration. A teal notebook cover with several small notebooks within, and a pen in a pen loop on the right.
First attempt! I wanted to try out something I could hold and use, tried out different kinds of paper and notebooks.

What does this have to do with pens, you may ask? Well. Back to August – I’m procrastinating from doing anything useful by scrolling facebook, when I run across a post from a friend of mine. She posted a photo of one of the art journals she was playing with at the time. I’d seen her posts before, and it clicked. Maybe that’s what I needed to get back to doing – using pen and paper to stay organized. 

Back to? Yep. I’ll try and make this next bit short. Let’s back up to 2015. I’m a 20 something adult, a book bag with me everywhere I go – to make sure I had all of the essentials. I leave this bag in a car while I ran in to grab something – I come out and the car has been broken into, bag stolen. What would Spoon consider essential you may ask? Well two things, my favorite pen collection (no fountain pens yet), built up over several years – and a notebook I had in my pocket at all times and had been carrying for years. It had all of the notes for the book I was writing and a dozen other story ideas and journal entries. When it was lost, I was super upset – and decided to go digital. That way everything could be backed up, and retrieved. And I thought I was good – I felt like I’d found a great solution to staying organized. Problem solved. Then, fast forward to August 2021, I realized that this digital thing wasn’t working anymore. I wasn’t using the digital planner, I wasn’t writing in the digital journal, and I was losing track of all kinds of things, important things. I felt like a broken version of myself. Such drama. But in all seriousness, my mental health was in a very dark spot. 

Seeing my friends post on facebook sort of clicked something in my brain – maybe I should try pen and paper again? But where to even get started. I asked her what notebook she was using and she told me and then asked what I was interested in using it for? Organizing, planning, writing. Basically, a paper brain. Well – clearly I had asked the right person, because heck did she have a bunch of suggestions! We talked about notebooks, notebook covers, organization systems, pens – really, this is all my friends fault. Ahem. 

A notebook cover with three notebooks. Laying to the left is a brownish cover, in the middle is a purple cover with two sticks reading “Department of Opposition Lawful Evil” on one and “Queerty” on the other. Under the purple book is a Hobonichi Techo cover.
The first trial of notebook configurations.

I wanted to start small – practically, and literally, turns out. I picked up a notebook cover, an A6 Hobonichi daily planner, and a blank A6 Wonderland notebook. For work I tried 4 or 5 different planner systems, and finally settled on a Techo Weeks, for scheduling and to dos. And an A5 Hobonichi Daily to keep track of what I’d done during the work day. Oh, and a sample pack of purple pens, which is where I tried out a fountain pen for the first time in recent memory. And then I got curious about fountain pens…I asked Dora – and we went down another delightful rabbit hole together. She showed me pens with different fill systems, told me where I could get ink samples so I could try out different colors, and even recommended what ended up being my first refillable fountain pen – a Twsbi Eco. Purple, of course. Purple is also the color of the first ink sample pack I ever got! All of her advice got me started, and I was able to give myself space to experiment and find something that worked really well for me. From the very start each part of the process kept me engaged and having fun. 

Three purple pens, the top is a purple Pilot Metropolitan, the second one is a light purple Kaweco Sport, and the last is a purple Twsbi Eco, all laying on a tan blanket.
The first purple Twsbi Eco at the bottom! Some of my other first trials were a Pilot Metropolitan (also my friends suggestion) and a Kaweco Sport. They all write very differently.

As I tried new things, I got more organized. I was able to self regulate more. I was journaling and waking up and wanting to do things besides sleep and go to work. My mental health was evening out enough that I could start realizing that I needed to make some changes – which we did. I was worried about this whole thing being a passing ADHD interest – but when I hit December and was still using all of the notebooks and pens and my interest kept deepening and expanding – I gave up and embraced the new me haha. 

Notebook page with the text “Feelings & Research” in a blue ink with a purple sheen. There is an uncapped pen resting on the page, a blue resin with a white finial and a music nib.
Sailor Cobra Blue, and the opening page for the book where I started doing research into Autistic Burnout.

By the end of 2021 I had started researching (Autistic Burnout, different post), I was consistently using a planner (for some one with ADHD this is impressive), and I was increasing the amount I was journaling every day (this is incredibly useful for someone who has trouble self regulating their emotions, I have found). I was appreciating the joy that sampling inks daily gave me. I was appreciating the joy I could get from a beautiful pen. I was appreciating the joy and peace I was getting from putting those beautiful pens, those gorgeous inks, onto delightful paper. And by the end of the year I had settled on a solid system for myself. I invested in duplicating that system for 2022 – and have continued trying new things! I went thru a lot of iterations between August of 2021 and August of 2022 so I won’t bore you with all of them here. Maybe I should put together a timeline of when I was using each book and pen config?

Now – what am I using these days? 

  • A6 Techo Avec Cousin, which I use for a nightly journal. Just a small space to recap my day and have a moment of transition before bed. 
  • A5 Wonderland, I call it my Captain’s Log – everything goes in here, journaling, workshopping, playing with new inks, more research. Whatever, it’s an undated space where I can write endlessly. (I’m on volume 3!)
  • Techo Weeks, After my vacation at the end of 2021, in January I actually decided to use this for home scheduling and to-dos instead of for work. We go over this every day after breakfast, and it helps us remember things, sync on stuff, and coordinate what is needed. AND I can keep track of tasks long term. So handy. 
  • For work I settled on a Kokuyo Jibun Techo Days Diary – I just needed more space than the Weeks could give me – and A5 Wonderland notebooks for meeting notes and a workbook. It works incredible well. (I use different colors pen inks for alternating lines or meetings so I can stay ORGANIZED.)
  • There are a bunch of other notebooks of various sizes I use for my various hobbies, but I’ll go into those in another post. 
A pen holder with 14 pens. The pens are all the colors of the rainbows, and the pen case is a roll up with a classic wave pattern and the inside is a soft blue fabric.
I bought a new pen every time someone made me cry for a while, and ended up with two different rainbows from Twsbi and Pilot.

The pens I am using rotate every month, and each month has a theme – check out my posts on Pen Palettes to learn more. I will have been sampling inks daily for an entire year once we get to October of 2022. And I continue to find fun new things to try with all of it. I think I can safely say this is a solid special interest. 

And there’s more! Tangled up in this timeline is how I started using multiple different pens every month, sampling pen inks daily, and setting up transitions and tunnels and stopped masking and – so many things. More future posts! 

I wrote this for two reasons. The first is that seeing stories of how – and why – other folks got started really inspired me to try this out. And second, this brings me great happiness and if even a single person reads this and it gives them an idea that makes THEM happy, then I win. I guess a third reason is I am Autistic, this is a special interest, and this blog lets my info dump without irritating anyone. 

This is my first post that touches on both my disabilities and my pens! I wouldn’t have gotten started with this when I did if my mental and physical health hadn’t been so awful. So, while I can separate them sometimes, it’s all really tangled up in each other, which is part of what makes me me. Isn’t identity fun? More soon!

August Daily Sample Review, Wearingeul

“Did you know” is often followed by an Autistic info dumping and the joy and excitement is contagious. I ended up with half a dozen pages of notes and hit 2000 words without getting to the end of the inks and was thinking, oh maybe I should have several posts… Which is when I realized, oh wait I can edit things. 🙂 So I present to you the heavily edited version of the info dump Aaron ended up listening to. I am lucky he finds me adorable. 

This was an AWESOME month of samples, I absolutely loved it, because each series gave me a new-to-me author to look into or old classics to check out again. I ended up doing a bunch of research, just for fun! I found out a bunch of stuff and ended up picking up most if not all of these books in book book form, and I’m still reading them, and looking into more things, because one thing leads to another! For me the enjoyment this month was both sampling these neat inks and also the other stuff I found out, so that is what I will be sharing with you today! I can’t WAIT to try out more Wearingeul inks. I’m using one in a pen for September, and it is currently one of my favorites. (It’s Flowing Leaves, for the record.)

Oh, also? FOUR grey shimmer inks. Five if you count Tin Woodman that has a matching vial of shimmer to mix in. (Yes, you heard that correctly – the shimmer is SEPARATE from the ink itself…on purpose…)

5 sample cards, stacked on top of one another so that four are only visible by their ink swabs at the top of the card. The last card is full visible and the text says:
Wearingeul
“Yi Sang Series”
Soyeongwije
xxx ooo ssssss
22AugVent-5 is written on the bottom left hand corner, and Shimmer is written on the right edge of the card.
The cards are colored a light blue, a pink, a brownish, a gray and a purple.
Yi Sand Series, 13 Children, A Taxidermied Genius, Architecture Infinite Cube, Me In The Mirror, Soyeongwije

Did you know…Yi Sang was a Korean poet who died at 27 from tuberculosis and grew up in a Korea occupied by Japan. His work plays with identity, imagery, spacing, pacing, and rhythm. I read a couple of really interesting pieces that seem to be referring to his illness and how it affects his home and family. I empathize with this, being disabled myself. I saw a lot of playfulness tempered by a grief that was multifaceted in nature. ALSO he was one of the first Surrealist poets – which is neat. His poetry is engrossing, for the record, I kept reading the next one and then the next one and then the…

Three cards stacked on top of each other, the first two cards are only visible by the ink swabs at the top of their cards. The bottom one is fully visible and says:
Wearingeul
Natsume Soseki Series
Sanshiro
Xxx ooo ssssss
22AugVent-8 is written in the bottom left of the card, and Standard is written along the right edge of the card.
The cards are colored a shimmer grey, a light blue, and a saturated yellow.
Natsume Soseki Series, I am a Cat, Mind, Sanshiro

Did you know…Natsume Soseki was a Japanese novelist who is well known for writing a book still used in Japanese schools today titled “I am a cat.” It is a satirical novel from the point of view of a cat, and it plays with formal speaking and classism. AND there is a video game called Ace Attorney, the protagonists name is Soseki Natsume – sound familiar? And the character has a cat named “Wagahai” which is the narrator cat’s preferred pronouns from “I am a cat” and is rarely used nowadays except to refer to pompous and anthropomorphic animals.

Oh also, I fell down a ridiculous rabbit hole when I started looking for one of his novels which I thought was called “The Mind” – the name of one of the inks I sampled – but couldn’t see it in the Wikipedia article list of his work. Ready for this? 

When I couldn’t find “The Mind” in his book list, I googled what “the mind” was in Japanese – it’s “kokoro.” Neat, so I went back to the list, sure enough, Kokoro is listed as one of his novels. Naturally I look at THAT Wikipedia article, which declared “kokoro” translates literally to “heart.” What? Wait a sec…I double checked my google search – what a scholar am I – and translated “heart” to Japanese – and got “shinzo.” So. Completely different. Let’s try translating “kokoro” to English – got “heart.” Great. That clears up nothing. WELL. Back in the Kokoro Wiki article, it elaborates that the word has shades of meaning and could be translated to “the heart of things” or “feelings.” I know only enough about Japanese to make my “yep, that sounds right,” about how complicated this is face. And moved on. Wait! The ink bottle label has Japanese characters on it – what does that translate too??

See? Rabbit hole. Such fun. 

This series had the second grey shimmer. Delightfully distinct, I will say.

Whew, that was a lot. Trust me when I say there was MORE.  

5 cards stacked on top of one another. The first four are only visible by the ink swabs along the time of the cards. The last card is fully visible and the text says:
Wearingeul 
“Alice in Wonderland”
White Rabbit
Xxx ooo sssss 
22AugVent-13 is written in the bottom left hand corner, and standard is written on the right edge of the card. 
The colors are a sparkly blue, bright pink, forest green, sparkly brownish maroon, and a pale tannish pink.
Alice in Wonderland Series, Alice, Cheshire Cat, Mad Hatter, Queen of Hearts, White Rabbit

Speaking of rabbit holes…I was really pleased by how the ink colors matched with the characters – when the ink names don’t match the color it bugs me. 

I haven’t ever read the original Alice in Wonderland (Lewis Carroll) – I am looking forward to it, I’ve read that it is WEIRD. 

Did you know… Alice in Wonderland is considered “literary nonsense” which is a thing, seriously, I looked. Literary nonsense started being recognized in the 1900’s and is categorized by the conventions of subverting “language conventions or logical reasoning.” This effect of nonsense is usually an excess of logic, rather than the absence of it. Humor comes from it’s nonsensical nature rather than a punchline. Also, L. Frank Baum thought it was incoherent. Fun!

4 cards stacked on top of each other, the first three only visible by the ink swabs at the top of the card. The last card is fully visible and the text says:
Wearingeul
“The Wonderful Wizard of Oz” 
Tin Woodman 
Xxx ooo ssssss
22Augent-17 is on the bottom left hand corner edge of the card, and standard is written along the right edge of the card.
The Wonderful Wizard of Oz, Cowardly Lion, Dorothy, Scarecrow, Tin Woodman

Speaking of L. Frank Baum…

Did you know…The Wonderful Wizard of Oz was in part influenced by Lewis Carroll’s Alice in Wonderland? Yep, despite thinking it was incoherent, both authors believed children’s books should be fun, and not just moral lessons.

These inks were really muted which made me sad and THEN I discovered that there are 5 “glitter potions” which I got all excited about! Brain, Brave, and Heart make sense, because there is a Scarecrow, Cowardly Lion, and Tin Woodman  inks, but the other two are Emerald City and Silver Shoes – Didn’t Dorothy wear ruby slippers? Are they different in the book? I have to check out the glitter potions still – could be interesting. 

I haven’t read this original either. Yay books!

3 cards stacked on top of each other, the first two are only visible by the ink swabs at the top of the card. The bottom card is full visible and the text says:
Wearingeul 
“Jeong Ji-yong Series”
The Night Colored in Grape
Xxx ooo sssss
22AugVent-20 is written along the bottom left hand edge of the card, and standard is written along the right edge of the card. 
The colors at the top of the cards are a sparkly blue, a pink and a purple.
Jeong Ji-yong Series, A Watery Star, Floating Cloud, The Night Colored in Grape

Did you know…that Jeong Ji-yong’s work has three phases, the first of which is a sort of sensual phase, then a religious one, then a more traditional one. These three inks are pulling from three poems from his first phase, which called into imagery of the sea often. 

A Watery Star is from “Windowpane” (1929)

Floating Cloud is from “Home” (1927)

The Night Colored in Grape is from “The Dream of Wind and Waves” (1922)

He was also a Korean poet! That’s two at this point. 

4 cards stacked on top of each other, the first 3 are only visible by the ink swabs at the top of the card. The bottom card is full visible and the text says:
Wearingeul 
“Kim Sowol Series”
The Song of Reed
Xxx ooo sssssss
22AugVent-24 is written along the edge of the bottom left hand corner, and standard is written along the right side edge of the card.

Did you know…Kim Sowol is our third Korean poet? I didn’t find a ton on this one – but I found it interesting that all four of the authors from Korea/Japan at this point were all writing in the same time periods. I couldn’t link the inks with his poems, but I did find a note that his poetry called Korean folk songs to mind, and these titles make sense with that in mind haha.

6 cards stacked on top of each other, the first 5 are only visible by the ink swabs at the top of the card. The bottom card is full visible and the text says:
Wearingeul
“World Literature Series”
Resurrection 
Xxx ooo ssssss
22AugVent-30 on the bottom edge of the left hand corner, and standard written on the right edge of the card. 
The colors of the card tops are a bright green, a pale pink, a dark color, a lighter purple, a maroon, and a light blue.
World Literature Series, Beneath the Wheel, Don Quixote, For Whom The Bell Tolls, Jane Eyre, Metamorphosis, Resurrection

Alright this was a series of books by different authors that have nothing to do with each other! They’re all from different countries, come from different time periods, and deal with different topics. Which is probably the point of a World Literature Series… Here is a random fact about each one:

Beneath the Wheel (Hesse, 1906) was reissued in 1957 as The Prodigy.

Don Quixote (de Cervantes, 1605) often labeled as the first modern novel.

For Whom The Bell Tolls (Hemmingway, 1940) title comes from John Donne’s series of meditations and prayers on health, pain, and sickness.

Jane Eyre (Brontë, 1847) revolutionized prose fiction – a Bildungsroman which is a literary genre reflecting “coming of age” themes. 

Metamorphosis (Kafka, 1915) this is a super weird book, seriously. Starts with a dude turning into a giant bug. And continues from there. 

Resurrection (Tolstoy, 1899) was the last of his major long fiction works published in his life time. 

Only one card is shown, fully visible. The ink is a lighter blue, and the text says:
Wearingeul
“Demian Series”
Lost
Xxx ooo ssssss
22AugVent-31 is written along the edge of the card in the bottom left hand corner, and standard is written along the right edge of the card.
Demian Series, Lost

Dieman? Nope – Demian! I only sampled one of the two inks from this series – saving the second one for Catch All Month in November. So tune in next time. 🙂

Can you tell I had a heck of a lot of fun here? I wonder if I’ll be able to do something similar with the other inks. I know Vinta inks are all linked to stories and fables and stuff – so that could be a fun historical review? That’s a good idea, thanks internet! 

August Truphae Review, Caran d’Ache

Funny story, a friend of mine wrote a book with a character name Caran and I texted her to show her I’d just found this ink and she told me that is where she got the name! Small world, eh? By the way – excellent book, check it out: Resonance, by Dora Raymaker

Notebook page with the following text:
August Truphae (‘22)
Caran d’Ache Inks! (Written inside of an ink bottle stamp)
Delicate Green 
Divine Pink
Electric Orange
Infra Red
Magma Blue

Each color name has a line of color matching it underneath
Qtip line swabs of each Truphae Sample

These are really fun colors! Two of them remind me of other inks I already love – Down the Don Valley by Ferris Wheel Press and Wonderland by Diamine. I will definitely use the other three, altho reds are not my favorite so…maybe not that one. It was kind of interesting how 4 of these inks were vibrant and bright and the blue was a lot darker. But the ink wasn’t sticky, it wrote smoothly, it didn’t feel dry, and it does not bleed thru the page. All good things. Overall solid inks! 

5 sample cards, they are stacked on top of each other so only the swatch of color at the top is visible on the first 4. the last one is fully visible and the text reads:
Caran d’Ache
Magma Blue
xxx ooo sssss
And the word “standard” written on the right edge of the card. The first four cards are a bright green, a brigh pink, a bright orange, and a bright red. the last one is a darker blue.
Sample Cards for the Caran d’Ache Truphae inks I sampled in August.