Category Archives: Fountain Pens

Morning Daily Sample/Pen Routine – Process

Alright, you know those posts I have about the daily samples? Well, let’s get into the technical specifics of how I currently do my daily morning ink and pen routine. I assume someone out there will get something out of it. Here we go!

Step One:

Three notebooks stacked on top of each other. The one on top is a Hobonichi Techo 2022 Original, underneath is a textured black notebook with a Goulet Pens purple ink splatter sticker on the cover, and the one on the bottom is purple, with 2 stickers visible. The top sticker is a lightbulbs with a garden and a black cat inside. And the bottom one is partially obscured, but the whole thing says, Don’t Believe Every Thought You Think.
Set up the notebooks. For this I add some stickers to the pages where I start today in my Captain’s Log, and that day’s page in my Nightly Journal. I also pull out my Daily Sample Journal. 

Step Two:

On a wooden desk are:
- paper towel which caught a ton of ink drops and spills 
- a blank white sample card
- a purple vial holder in the shape of a giant d20, which is holding a vial with a cap that has three white stickers on top. One is blank, one says “4” and the other says “9.22”
- a grey dip pen with a protector over the metal nib, and is resting on a glass pen holder
- a stamp ink pad with the lid taken off
- a stamp with the shape of a B nib
Pull out the sampling supplies. First, the sample vial, which I put in the 3D printed d20 vial holder Aaron made me. Next I pull out the nib stamp I am using that month and the ink pad for it. Then the dip pen I am using – currently an Iro-utsushi, metal nib instead of glass. Last the two paper towels I use – one where I can catch any spills and one where I can rest the q-tip when I am done with it.

Step Three:

A wooden desk with various ink sampling supplies. Centered is a sample card with blue ink swapped across the top, a black nib stamped on the right side, and drips of ink off the nib tip and a larger pool of ink.
This is where I start putting ink down on paper. I use a q-tip to pick up ink from the vial and swab the top of a sample card. Then I’ll stamp the card with that month’s nib stamp. Next I pick up a little more ink and use it to make a puddle of ink on the card, making it look like the ink is dripping off the tip of the stamped ink nib.

Step 4:

6 places that had ink applied by a q-tip:
- the top of an ink vial lid - the blank dot has had a drop of ink applied
- My Captain’s Log page that lists the Akkerman inks for that month, a drop of ink has been applied next to the #4
- the sample card with ink on the top of the card and a puddle of ink
- the daily sample journal page with the puddle of ink and the stamped ink bottle filled in with color
I use this q-tip in seven spots, funnily enough. The swab at the top of the card, the ink puddle on the card, an ink puddle on that days journal sample page, a dot on top of the vial lid, a dot next to the name of the ink written out in that month’s list, then I swab in the ink bottle stamp on that days page, then! 

Step Five:

A close up of a page in a planner, each line with the day of the month to the left. At the top is “9” and “September,” underneath I have written Akkerman in purple. There are four days visible, each with a line of ink drawn from right to left - they are all different color blues.
Seventh and finally for the q-tip, a line of ink on the page that lists every day of months in a column. And then I rest it on a paper towel because it pulls the rest of the ink out slowly and sometimes you can see some really interesting color separations. 
Two notebooks, the smaller planner resting on the larger. In the planner, you can see “04 Nassaus Blauw” and a square of the same color to the left. The larger notebook page is for September Daily Samples for Akkerman, with the first 4 ink names listed twice - once on the left in alternating orange and purple, and once on the right in that days ink color. There are drops of ink on the far left of that days ink.
Once the q-tip is done – moving on to using the dip pen. I start with the Captain’s Log and Nightly Journal – I write out the name of the ink on the page I list all of that month’s inks next to itself. Then I write it again at the top of that days Nightly Journal page, and fill in a square – the top of those pages have a very short checklist, so I basically color in the box you’d normally mark when something is done. 

Step Seven:

The sample card has a swatch of ink applied to the top of the card, there is a nib stamp with what looks like the same ink dripping off the nib and into a puddle. The card text reads: 
Akkerman
04 Nassaus Blue
Xxxooosssssss
22SeptVent-4
Standard
Next is the sample card. I put the ink manufacturer, series if applicable, name, and some test x’s, o’s, and interconnected s’s. I also add which month it is usually by year, month, “vent” and the day – for example, 22SeptVent-4. And last I put the kind of ink it is on the right edge of the card – standard, shimmer, or sheen – those are the three types I’ve sampled so far. Well, ColorVerse calls their shimmers “glistening” and there are some shading inks that go by different shades. 

Step Eight:

A notebook page - there is a sticker applied to the top left corner, it looks like a sample that has floating lantern art. To the right of the sticker is text reading “04 Nassaus Blauw” with scribbled marks to the left and underneath and the right side. In gold ink in the top right hand corner the text reads “9.4.22 Sun”
I write the name of the ink in one last spot in my Captain’s Log – that days first page.

Step Nine:

A planner page - what is on this page is explained in the caption of the photo.
Then I switch over to the Daily Ink Sample Journal. I make 4 squares, 4 circles, and 4 triangles all filled in. Then I scribble a square to be as saturated as I can make it. Then more interconnected squiggles. Below that I put the same info I had on the sample card – manufacturer, series, name and then whether it is a standard ink or not, and finally which dip pen I am using. Beside that I draw straight lines until the ink starts to fade. Below that I write “the quick brown fox jumps over the lazy dog” because that phrase has every single letter of the English alphabet at least one. Then a line of dots and dashes. Then a description and my FEELINGS about the ink. Lastly, after one last dip into the vial, I draw what I call my sharp squiggles – it’s just a mess really, but I find the motions soothing and the visual appealing.

Step Ten:

A notebook page - there is a sticker applied to the top left corner, it looks like a sample that has floating lantern art. To the right of the sticker is text reading “04 Nassaus Blauw” with scribbled marks to the left and underneath and the right side. In gold ink in the top right hand corner the text reads “9.4.22 Sun”
underneath is the text “the quick brown fox jumps over the lazy dog” written 10 times, in 10 different inks. The first is purple, the next two are different blues, the next two are different greens, a shiny red with gold sheen, a maroon, a orangey red with gold shimmer, a yellow orange, and a gold with gold shimmer.
I finish by testing all of the pens I have inked that day. I started doing this when I would find a pen wasn’t working well in the middle of the word day which was so very frustrating! So the pen test gives me an idea of which ones to avoid that day haha. In this photo I just repeat the quick brown fox sentence, but really I’ll just write down my thoughts, changing pen colors on every line.

And that’s it! When I first got started with this I would just ink up the sample card, usually just with a square swab applied by q-tip and the ink manufacturer and name. I added the daily sample journal later. Then I added writing it in my Captain’s Log, then my nightly journal, etc. It has evolved over time. I switched from a glass nib dip pen to a metal nib – recently, actually. I’ve changed up the kind of sample cards I use for samples and I have changed the format I use on the card. Huh…this line of thought could end up being a whole other post. So I will leave it there!

I want to share these kinds of things in case it is helpful to someone. And I love collecting this data and putting it somewhere, so throwing it on this blog seems like a good place for it.  

How I Got Started – The Whole Pen Thing

A little over a year ago, I was sitting on a couch, trying to figure out how to get my life organized. Imagine, 2021, a year and more into the pandemic. It was August, and I had made it to the weekend absolutely exhausted. With my chronic pain as bad as it was, that’s what a weeks worth of work would do to me – exhaust me. And then it would take me all weekend of doing nothing to get back into a state where I could just go to work again. My brain fog was at an all time high. Staying organized and being able to emotionally regulate felt impossible. I stopped most of my hobbies and socializing. I woke up, went to work, and then went back to bed until the next day, for months. I didn’t even have the energy to figure out how to fix it. Doesn’t that sound like fun?

First attempt at a notebook system configuration. A teal notebook cover with several small notebooks within, and a pen in a pen loop on the right.
First attempt! I wanted to try out something I could hold and use, tried out different kinds of paper and notebooks.

What does this have to do with pens, you may ask? Well. Back to August – I’m procrastinating from doing anything useful by scrolling facebook, when I run across a post from a friend of mine. She posted a photo of one of the art journals she was playing with at the time. I’d seen her posts before, and it clicked. Maybe that’s what I needed to get back to doing – using pen and paper to stay organized. 

Back to? Yep. I’ll try and make this next bit short. Let’s back up to 2015. I’m a 20 something adult, a book bag with me everywhere I go – to make sure I had all of the essentials. I leave this bag in a car while I ran in to grab something – I come out and the car has been broken into, bag stolen. What would Spoon consider essential you may ask? Well two things, my favorite pen collection (no fountain pens yet), built up over several years – and a notebook I had in my pocket at all times and had been carrying for years. It had all of the notes for the book I was writing and a dozen other story ideas and journal entries. When it was lost, I was super upset – and decided to go digital. That way everything could be backed up, and retrieved. And I thought I was good – I felt like I’d found a great solution to staying organized. Problem solved. Then, fast forward to August 2021, I realized that this digital thing wasn’t working anymore. I wasn’t using the digital planner, I wasn’t writing in the digital journal, and I was losing track of all kinds of things, important things. I felt like a broken version of myself. Such drama. But in all seriousness, my mental health was in a very dark spot. 

Seeing my friends post on facebook sort of clicked something in my brain – maybe I should try pen and paper again? But where to even get started. I asked her what notebook she was using and she told me and then asked what I was interested in using it for? Organizing, planning, writing. Basically, a paper brain. Well – clearly I had asked the right person, because heck did she have a bunch of suggestions! We talked about notebooks, notebook covers, organization systems, pens – really, this is all my friends fault. Ahem. 

A notebook cover with three notebooks. Laying to the left is a brownish cover, in the middle is a purple cover with two sticks reading “Department of Opposition Lawful Evil” on one and “Queerty” on the other. Under the purple book is a Hobonichi Techo cover.
The first trial of notebook configurations.

I wanted to start small – practically, and literally, turns out. I picked up a notebook cover, an A6 Hobonichi daily planner, and a blank A6 Wonderland notebook. For work I tried 4 or 5 different planner systems, and finally settled on a Techo Weeks, for scheduling and to dos. And an A5 Hobonichi Daily to keep track of what I’d done during the work day. Oh, and a sample pack of purple pens, which is where I tried out a fountain pen for the first time in recent memory. And then I got curious about fountain pens…I asked Dora – and we went down another delightful rabbit hole together. She showed me pens with different fill systems, told me where I could get ink samples so I could try out different colors, and even recommended what ended up being my first refillable fountain pen – a Twsbi Eco. Purple, of course. Purple is also the color of the first ink sample pack I ever got! All of her advice got me started, and I was able to give myself space to experiment and find something that worked really well for me. From the very start each part of the process kept me engaged and having fun. 

Three purple pens, the top is a purple Pilot Metropolitan, the second one is a light purple Kaweco Sport, and the last is a purple Twsbi Eco, all laying on a tan blanket.
The first purple Twsbi Eco at the bottom! Some of my other first trials were a Pilot Metropolitan (also my friends suggestion) and a Kaweco Sport. They all write very differently.

As I tried new things, I got more organized. I was able to self regulate more. I was journaling and waking up and wanting to do things besides sleep and go to work. My mental health was evening out enough that I could start realizing that I needed to make some changes – which we did. I was worried about this whole thing being a passing ADHD interest – but when I hit December and was still using all of the notebooks and pens and my interest kept deepening and expanding – I gave up and embraced the new me haha. 

Notebook page with the text “Feelings & Research” in a blue ink with a purple sheen. There is an uncapped pen resting on the page, a blue resin with a white finial and a music nib.
Sailor Cobra Blue, and the opening page for the book where I started doing research into Autistic Burnout.

By the end of 2021 I had started researching (Autistic Burnout, different post), I was consistently using a planner (for some one with ADHD this is impressive), and I was increasing the amount I was journaling every day (this is incredibly useful for someone who has trouble self regulating their emotions, I have found). I was appreciating the joy that sampling inks daily gave me. I was appreciating the joy I could get from a beautiful pen. I was appreciating the joy and peace I was getting from putting those beautiful pens, those gorgeous inks, onto delightful paper. And by the end of the year I had settled on a solid system for myself. I invested in duplicating that system for 2022 – and have continued trying new things! I went thru a lot of iterations between August of 2021 and August of 2022 so I won’t bore you with all of them here. Maybe I should put together a timeline of when I was using each book and pen config?

Now – what am I using these days? 

  • A6 Techo Avec Cousin, which I use for a nightly journal. Just a small space to recap my day and have a moment of transition before bed. 
  • A5 Wonderland, I call it my Captain’s Log – everything goes in here, journaling, workshopping, playing with new inks, more research. Whatever, it’s an undated space where I can write endlessly. (I’m on volume 3!)
  • Techo Weeks, After my vacation at the end of 2021, in January I actually decided to use this for home scheduling and to-dos instead of for work. We go over this every day after breakfast, and it helps us remember things, sync on stuff, and coordinate what is needed. AND I can keep track of tasks long term. So handy. 
  • For work I settled on a Kokuyo Jibun Techo Days Diary – I just needed more space than the Weeks could give me – and A5 Wonderland notebooks for meeting notes and a workbook. It works incredible well. (I use different colors pen inks for alternating lines or meetings so I can stay ORGANIZED.)
  • There are a bunch of other notebooks of various sizes I use for my various hobbies, but I’ll go into those in another post. 
A pen holder with 14 pens. The pens are all the colors of the rainbows, and the pen case is a roll up with a classic wave pattern and the inside is a soft blue fabric.
I bought a new pen every time someone made me cry for a while, and ended up with two different rainbows from Twsbi and Pilot.

The pens I am using rotate every month, and each month has a theme – check out my posts on Pen Palettes to learn more. I will have been sampling inks daily for an entire year once we get to October of 2022. And I continue to find fun new things to try with all of it. I think I can safely say this is a solid special interest. 

And there’s more! Tangled up in this timeline is how I started using multiple different pens every month, sampling pen inks daily, and setting up transitions and tunnels and stopped masking and – so many things. More future posts! 

I wrote this for two reasons. The first is that seeing stories of how – and why – other folks got started really inspired me to try this out. And second, this brings me great happiness and if even a single person reads this and it gives them an idea that makes THEM happy, then I win. I guess a third reason is I am Autistic, this is a special interest, and this blog lets my info dump without irritating anyone. 

This is my first post that touches on both my disabilities and my pens! I wouldn’t have gotten started with this when I did if my mental and physical health hadn’t been so awful. So, while I can separate them sometimes, it’s all really tangled up in each other, which is part of what makes me me. Isn’t identity fun? More soon!

August Daily Sample Review, Wearingeul

“Did you know” is often followed by an Autistic info dumping and the joy and excitement is contagious. I ended up with half a dozen pages of notes and hit 2000 words without getting to the end of the inks and was thinking, oh maybe I should have several posts… Which is when I realized, oh wait I can edit things. 🙂 So I present to you the heavily edited version of the info dump Aaron ended up listening to. I am lucky he finds me adorable. 

This was an AWESOME month of samples, I absolutely loved it, because each series gave me a new-to-me author to look into or old classics to check out again. I ended up doing a bunch of research, just for fun! I found out a bunch of stuff and ended up picking up most if not all of these books in book book form, and I’m still reading them, and looking into more things, because one thing leads to another! For me the enjoyment this month was both sampling these neat inks and also the other stuff I found out, so that is what I will be sharing with you today! I can’t WAIT to try out more Wearingeul inks. I’m using one in a pen for September, and it is currently one of my favorites. (It’s Flowing Leaves, for the record.)

Oh, also? FOUR grey shimmer inks. Five if you count Tin Woodman that has a matching vial of shimmer to mix in. (Yes, you heard that correctly – the shimmer is SEPARATE from the ink itself…on purpose…)

5 sample cards, stacked on top of one another so that four are only visible by their ink swabs at the top of the card. The last card is full visible and the text says:
Wearingeul
“Yi Sang Series”
Soyeongwije
xxx ooo ssssss
22AugVent-5 is written on the bottom left hand corner, and Shimmer is written on the right edge of the card.
The cards are colored a light blue, a pink, a brownish, a gray and a purple.
Yi Sand Series, 13 Children, A Taxidermied Genius, Architecture Infinite Cube, Me In The Mirror, Soyeongwije

Did you know…Yi Sang was a Korean poet who died at 27 from tuberculosis and grew up in a Korea occupied by Japan. His work plays with identity, imagery, spacing, pacing, and rhythm. I read a couple of really interesting pieces that seem to be referring to his illness and how it affects his home and family. I empathize with this, being disabled myself. I saw a lot of playfulness tempered by a grief that was multifaceted in nature. ALSO he was one of the first Surrealist poets – which is neat. His poetry is engrossing, for the record, I kept reading the next one and then the next one and then the…

Three cards stacked on top of each other, the first two cards are only visible by the ink swabs at the top of their cards. The bottom one is fully visible and says:
Wearingeul
Natsume Soseki Series
Sanshiro
Xxx ooo ssssss
22AugVent-8 is written in the bottom left of the card, and Standard is written along the right edge of the card.
The cards are colored a shimmer grey, a light blue, and a saturated yellow.
Natsume Soseki Series, I am a Cat, Mind, Sanshiro

Did you know…Natsume Soseki was a Japanese novelist who is well known for writing a book still used in Japanese schools today titled “I am a cat.” It is a satirical novel from the point of view of a cat, and it plays with formal speaking and classism. AND there is a video game called Ace Attorney, the protagonists name is Soseki Natsume – sound familiar? And the character has a cat named “Wagahai” which is the narrator cat’s preferred pronouns from “I am a cat” and is rarely used nowadays except to refer to pompous and anthropomorphic animals.

Oh also, I fell down a ridiculous rabbit hole when I started looking for one of his novels which I thought was called “The Mind” – the name of one of the inks I sampled – but couldn’t see it in the Wikipedia article list of his work. Ready for this? 

When I couldn’t find “The Mind” in his book list, I googled what “the mind” was in Japanese – it’s “kokoro.” Neat, so I went back to the list, sure enough, Kokoro is listed as one of his novels. Naturally I look at THAT Wikipedia article, which declared “kokoro” translates literally to “heart.” What? Wait a sec…I double checked my google search – what a scholar am I – and translated “heart” to Japanese – and got “shinzo.” So. Completely different. Let’s try translating “kokoro” to English – got “heart.” Great. That clears up nothing. WELL. Back in the Kokoro Wiki article, it elaborates that the word has shades of meaning and could be translated to “the heart of things” or “feelings.” I know only enough about Japanese to make my “yep, that sounds right,” about how complicated this is face. And moved on. Wait! The ink bottle label has Japanese characters on it – what does that translate too??

See? Rabbit hole. Such fun. 

This series had the second grey shimmer. Delightfully distinct, I will say.

Whew, that was a lot. Trust me when I say there was MORE.  

5 cards stacked on top of one another. The first four are only visible by the ink swabs along the time of the cards. The last card is fully visible and the text says:
Wearingeul 
“Alice in Wonderland”
White Rabbit
Xxx ooo sssss 
22AugVent-13 is written in the bottom left hand corner, and standard is written on the right edge of the card. 
The colors are a sparkly blue, bright pink, forest green, sparkly brownish maroon, and a pale tannish pink.
Alice in Wonderland Series, Alice, Cheshire Cat, Mad Hatter, Queen of Hearts, White Rabbit

Speaking of rabbit holes…I was really pleased by how the ink colors matched with the characters – when the ink names don’t match the color it bugs me. 

I haven’t ever read the original Alice in Wonderland (Lewis Carroll) – I am looking forward to it, I’ve read that it is WEIRD. 

Did you know… Alice in Wonderland is considered “literary nonsense” which is a thing, seriously, I looked. Literary nonsense started being recognized in the 1900’s and is categorized by the conventions of subverting “language conventions or logical reasoning.” This effect of nonsense is usually an excess of logic, rather than the absence of it. Humor comes from it’s nonsensical nature rather than a punchline. Also, L. Frank Baum thought it was incoherent. Fun!

4 cards stacked on top of each other, the first three only visible by the ink swabs at the top of the card. The last card is fully visible and the text says:
Wearingeul
“The Wonderful Wizard of Oz” 
Tin Woodman 
Xxx ooo ssssss
22Augent-17 is on the bottom left hand corner edge of the card, and standard is written along the right edge of the card.
The Wonderful Wizard of Oz, Cowardly Lion, Dorothy, Scarecrow, Tin Woodman

Speaking of L. Frank Baum…

Did you know…The Wonderful Wizard of Oz was in part influenced by Lewis Carroll’s Alice in Wonderland? Yep, despite thinking it was incoherent, both authors believed children’s books should be fun, and not just moral lessons.

These inks were really muted which made me sad and THEN I discovered that there are 5 “glitter potions” which I got all excited about! Brain, Brave, and Heart make sense, because there is a Scarecrow, Cowardly Lion, and Tin Woodman  inks, but the other two are Emerald City and Silver Shoes – Didn’t Dorothy wear ruby slippers? Are they different in the book? I have to check out the glitter potions still – could be interesting. 

I haven’t read this original either. Yay books!

3 cards stacked on top of each other, the first two are only visible by the ink swabs at the top of the card. The bottom card is full visible and the text says:
Wearingeul 
“Jeong Ji-yong Series”
The Night Colored in Grape
Xxx ooo sssss
22AugVent-20 is written along the bottom left hand edge of the card, and standard is written along the right edge of the card. 
The colors at the top of the cards are a sparkly blue, a pink and a purple.
Jeong Ji-yong Series, A Watery Star, Floating Cloud, The Night Colored in Grape

Did you know…that Jeong Ji-yong’s work has three phases, the first of which is a sort of sensual phase, then a religious one, then a more traditional one. These three inks are pulling from three poems from his first phase, which called into imagery of the sea often. 

A Watery Star is from “Windowpane” (1929)

Floating Cloud is from “Home” (1927)

The Night Colored in Grape is from “The Dream of Wind and Waves” (1922)

He was also a Korean poet! That’s two at this point. 

4 cards stacked on top of each other, the first 3 are only visible by the ink swabs at the top of the card. The bottom card is full visible and the text says:
Wearingeul 
“Kim Sowol Series”
The Song of Reed
Xxx ooo sssssss
22AugVent-24 is written along the edge of the bottom left hand corner, and standard is written along the right side edge of the card.

Did you know…Kim Sowol is our third Korean poet? I didn’t find a ton on this one – but I found it interesting that all four of the authors from Korea/Japan at this point were all writing in the same time periods. I couldn’t link the inks with his poems, but I did find a note that his poetry called Korean folk songs to mind, and these titles make sense with that in mind haha.

6 cards stacked on top of each other, the first 5 are only visible by the ink swabs at the top of the card. The bottom card is full visible and the text says:
Wearingeul
“World Literature Series”
Resurrection 
Xxx ooo ssssss
22AugVent-30 on the bottom edge of the left hand corner, and standard written on the right edge of the card. 
The colors of the card tops are a bright green, a pale pink, a dark color, a lighter purple, a maroon, and a light blue.
World Literature Series, Beneath the Wheel, Don Quixote, For Whom The Bell Tolls, Jane Eyre, Metamorphosis, Resurrection

Alright this was a series of books by different authors that have nothing to do with each other! They’re all from different countries, come from different time periods, and deal with different topics. Which is probably the point of a World Literature Series… Here is a random fact about each one:

Beneath the Wheel (Hesse, 1906) was reissued in 1957 as The Prodigy.

Don Quixote (de Cervantes, 1605) often labeled as the first modern novel.

For Whom The Bell Tolls (Hemmingway, 1940) title comes from John Donne’s series of meditations and prayers on health, pain, and sickness.

Jane Eyre (Brontë, 1847) revolutionized prose fiction – a Bildungsroman which is a literary genre reflecting “coming of age” themes. 

Metamorphosis (Kafka, 1915) this is a super weird book, seriously. Starts with a dude turning into a giant bug. And continues from there. 

Resurrection (Tolstoy, 1899) was the last of his major long fiction works published in his life time. 

Only one card is shown, fully visible. The ink is a lighter blue, and the text says:
Wearingeul
“Demian Series”
Lost
Xxx ooo ssssss
22AugVent-31 is written along the edge of the card in the bottom left hand corner, and standard is written along the right edge of the card.
Demian Series, Lost

Dieman? Nope – Demian! I only sampled one of the two inks from this series – saving the second one for Catch All Month in November. So tune in next time. 🙂

Can you tell I had a heck of a lot of fun here? I wonder if I’ll be able to do something similar with the other inks. I know Vinta inks are all linked to stories and fables and stuff – so that could be a fun historical review? That’s a good idea, thanks internet! 

August Truphae Review, Caran d’Ache

Funny story, a friend of mine wrote a book with a character name Caran and I texted her to show her I’d just found this ink and she told me that is where she got the name! Small world, eh? By the way – excellent book, check it out: Resonance, by Dora Raymaker

Notebook page with the following text:
August Truphae (‘22)
Caran d’Ache Inks! (Written inside of an ink bottle stamp)
Delicate Green 
Divine Pink
Electric Orange
Infra Red
Magma Blue

Each color name has a line of color matching it underneath
Qtip line swabs of each Truphae Sample

These are really fun colors! Two of them remind me of other inks I already love – Down the Don Valley by Ferris Wheel Press and Wonderland by Diamine. I will definitely use the other three, altho reds are not my favorite so…maybe not that one. It was kind of interesting how 4 of these inks were vibrant and bright and the blue was a lot darker. But the ink wasn’t sticky, it wrote smoothly, it didn’t feel dry, and it does not bleed thru the page. All good things. Overall solid inks! 

5 sample cards, they are stacked on top of each other so only the swatch of color at the top is visible on the first 4. the last one is fully visible and the text reads:
Caran d’Ache
Magma Blue
xxx ooo sssss
And the word “standard” written on the right edge of the card. The first four cards are a bright green, a brigh pink, a bright orange, and a bright red. the last one is a darker blue.
Sample Cards for the Caran d’Ache Truphae inks I sampled in August.

August Palette Review

10 pens lined up horizontally, green, sparkle blue, blue/pink, sparkly purple, swirly purple, swirly magenta/pink/white, sparkly orange, swirly orange, metallic orange, swirly yellow, and clear with a sparkly orange ink visible.
August pens

Twelve pens is a lot of pens but I am happy to report that I really used most of them. There were two with weird nibs, but after I tuned them they were okay. There was a yellow that was mostly too light for me to read, so ended up doing mostly accents with it. My header pen only saw use on headers because I was worried about running out of that ink – didn’t have a lot of them. I will say switching out that one orange ink was a very good idea. 

I am now realizing how vague this is going, so let’s just list them all out instead! 

A pair of pages from the Ink Journal notebook. There are 12 pens listed by pen and ink manufacturer, then the pen and ink color, and then August, 2022. To the right (on the left page, to the left on the right page) is a stamped ink bottle, and the color of that pen ink is scribbled in there. Besides the ink bottle stamp is Shawna’s opinion on that combo. The pen/ink combos and written opinions can be found below this photo in a list.
Record of August pens and inks and FEELINGS

1. Hong Dian 5019, Lan Tian – May Flowers (EF) / Ferris Wheel Press Moonlight Jade 
– Magic Green Pen! I adore it. The end. (Refilled 9 times)
2. Sailor Pro Gear Slim Mini – Night Blue (MF) / ColorVerse Cat 
– New Forever Pen! Shall dub Forever Blue – pretty much identical experience to the Forever Purple pen, just a different favorite shimmer ink.
– “Pen is JUST long enough, but still smol, which I love. Fav nib. Ink works, comes out nicely, hasn’t gummed yet, knock on wood. :)” (Refilled 3 times)
3. James White – Nebula (Custom Nib) / Ferris Wheel Press Tumbling Time Blue
– Solid pen, didn’t use it a ton because low on ink. Ink good, dark tho, nice sheen, rarely any shimmer.
4. Sailor Pro Gear Slim – Purple Northern Lights (MF) / ColorVerse 54 Hayabusa Glistening
– Forever Purple Pen! Also adore this one. The end. (Refilled 7 times *yay*)
5. Esterbrook JR Paradise Pocket Pen – Purple Passion (F) / Van Dieman Beetroot Relish
– “Esterbrook F nib is a good size. I like the handling of the pen. I LOVE this ink color! Solid purple – and no shimmer! Performed great too.” (Refilled 1 time)
6. Bearbarian Woodworking – Copper Eclipse Sunset (F) / Diamine 2021 Inkvent Raspberry Rose
– “I like the material of this pen a ton – the finger hold spot is a little slipper tho. Nib is a good size, performs well usually, slightly inconsistent. Really like the color of this ink, a magenta I like the depth of – performed well.” (Refilled 1 time)
7. Conklin – Coronet Orange (F) / Kyo Iro Moonlight of Higashiyama
– “Inconsistent ink distro, sometimes really heavy flow, sometimes really dry. Love the nib shape tho. Fascinating ink color – glad I switched it out! (Leave uncapped, gets wetter, caped, gets dryer?)” (Refilled 2 times – exploded a little bit once, maybe because I dropped it)
8. Kaweco AL Sport Limited Edition – Orange (F) / Ferris Wheel Press Pumpkin Patch
– “Nib/feed performance inconsistent…tried tuning it, seems to work better sometimes but then not others…I really like the subtle shading on this orange.” (Refilled 1 time)
9. Leonardo Officina Italiana Brooks PM4 Limited Edition – Supernova (F) / Diamine Inkvent 2021 Wonderland
– Still love this ink. It ended up not really fitting in the palette – so when it ran out on the 20th, I just didn’t refill it.
10. Esterbook JR Pocket Paradise Pen – Orange (EF) / Diamine 2021 Inkvent Peach Punch
– “This ink ended up being fine in this nib, but had a rough start. I love this ink color, a very interesting orangish that seems to be different shades depending on what’s next to it!” (Refilled 1 time)
11. Esterbook JR Pocket Paradise Pocket Pen – Yellow (EF) / Sailor Ink Studio 770
– “Nib scratchy, ink wouldn’t flow, tuned it (baby’s bottom?) and seems better. Ink very light, hard to read. A little disappointed in this ink 0 expected it to be darker consistently but you can see the difference. Readable now! Nib still a little scratchy.”
12. Majohn Wancai Mini Fountain Pen – Transparent Clear (F) / Diamine 2019 Inkvent Golden Star
– “Fav part of pen is seeing the ink swirl around. Solid nib, I like the way it writes – can handle shimmer! I think the cap may have cracked – humidity in there now?? Love this ink color – literally changes shades as you write down a page!”

So, if I had to pick a favorite (besides my Forever Pens) it would have to be either the purple Esterbrook with Beetroot Relish in it, or the Majohn with Golden Star in it. For different reasons. Oo! Or the Beardbarian with Raspberry Rose. It was a good month!

September Ink/Pen Palette: Fall

Picking colors for my September pens and inks was a little difficult for me because the theme is “Fall” and fall colors have a lot of red in them and I do not like red. I resorted to google and ended up finding a really nice set of 5 colors – and I have no idea how to describe them professionally, but here we go! Sort of like a teal, evergreen-y type blue, a kind of muted moss green, a rust reddish, an orange that is like a yellow-orange and a yellow that is closer to an orange. Yep. Doing great. 

Remember last month when I said I might keep my blue Sailor mini with Cat in it as part of my permanent pens? Well now we have the Forever Purple, Magic Green, and now a Forever Blue. Besides those three, I realized I was looking for colors really similar to my “sunset” theme, but the biggest difference for me was the colors for August were more vibrant and the ones for September are more muted. Insert something clever here about saturation? I am sure Aaron said something about saturation at some point and clearly that did not stay in my head. 

I’ve got 10 pens this month and besides the three forever pens, none of the inks/pens are being carried over from August. That’s not because I didn’t like them, but they just didn’t end up working with the muted theme I was trying. And yes, I ended up with a kind of rainbow again and I refuse to be upset by this. I like rainbows. 

Ten pens and ten sample cards in two columns. Each pen is laid on top of a sample card just below the swatch of color at the top of the card.
10 pens in two columns, one purple, two blues, two greens on the left, 3 red/orange and 2 orange/yellows on the right

  1. Sailor Pro Gear Slim – Purple Northern Lights (MF) / ColorVerse 54 Hayabusa Glistening
  2. Sailor Pro Gear Slim Mini – Night Blue (MF) / ColorVerse Cat
  3. Esterbrook JR Pocket Paradise – Blue Breeze ( F) / PenBBS Break
  4. Hong Dian 5019, Lan Tian – May Flowers (EF) / Ferris Wheel Press Moonlight Jade 
  5. Esterbrook JR Picket Paradise – Key Lime (F) / Wearingeul Flowing Leaves 
  6. TWSBI Diamond 580 – Iris (F) / Kiwi Ink Quetzalcoatl
  7. Beardbarian Woodworking – Copper Eclipse Sunset (F) / Ferris Wheel Press Candy Marsala
  8. Majohn Wancai Mini Fountain Pen – Transparent Clear (F) / Diamine 2021 Inkvent Vintage Copper
  9. Esterbook JR Pocket Paradise Pocket Pen – Yellow (1.1m Stub) / ColorVerse Rising Reflections
  10. Kaweco AL Sport – Gold (B) / Kiwi Liquid Gold

I picked up a 1.1m stub nib for one of my Esterbrook pens, and I am interested to see how it handles that shimmer ink. Yellows kind of need a broader application I think…who knows, I usually use fine nibs!

The Vintage Copper is going into one of those clear Majohn mini pens because I anticipate it being gorgeous like the one I was using in August. Twsbi diamond is one I usually enjoy, so looking forward to that, Kaweco is a known great – but a broad nib, so we shall see if I still like it. And I am reusing the Beardbarian pen because it is my favorite right now. 

Because I am not wild about all of the colors individually or in pairs, I am going to try using them as a whole palette instead of singly. I have been using a different pair of pens every day of the week, to distinguish the days, to use the pens more regularly, and the pair instead of one so I could have an easier time navigating my notes. This month I will be seeing how annoying it is to switch out every pen for every new line item in my work notebooks instead, in an attempt to not grow to dislike a single color so much I stop using it. Granted, if that does happen – and it might – I can just switch out the ink and/or pen. Still, might be interesting.

Because of the ink swap last month immediately after putting that one orange in a pen and seeing how mushy it was, I decided this month to try the inks on my usual paper before getting them into pens.

Notebook page, “Dip Pen Test,” each ink I am planning on using written out with the phrase “the quick brown fox jumps over the lazy dog” except for the three pens I am keeping. There is a shimmer green, a blue, then a red with gold sheen, two reds, a dark yellow shimmer, and an orange ish shimmer.
Each line is a different ink color

You may notice the 3 reds in there that look very similar. Because of this, the new rule (for next month) is to dip test the inks before I decide on a palette, instead of just before I put them in a pen.

Wish me luck!

September Daily Samples, Akkerman

I made a note of where I first saw an Akkerman ink referenced, and have lost it somehow. Sigh. I keep starting new notebooks so I can find things easier but I REFUSE to pull my ink stuff out of my Captain’s Log. Refuse. 

Besides, it was probably on the Pen Addict blog, let’s be honest. I am read that blog all the time. I have learned a thousand things from it. Highly recommend. Actually, I love it so much, I am working my way backwards, as I keep up to date with the latest. It is a little weird seeing posts from near the beginning of the pandemic – I think I’m back in early 2020 at this point. 

What decided me on this one for this month was the numbered aspect actually. Numbered inks are both satisfying and have the potential to make me go a little out of control – if for example, I only need 30 or 31 of them but there are 70 in total… And if any of these names are misspelled, I am sorry, I may have lost one or two battles with the auto correct. 

Two lime green trays, the bottom one holds 20 ink sample vials, the top one is set on top of those vial caps, and holds 11 more vials. Each vial has a label which says what the ink is.
Akkerman Ink Samples

01 Passage Blauw

02 Redidentie Blauw

03 Blauw 

04 Nassaus Blauw

05 Shocking Blue

06 Binnenhof Blues

07 Koninginne Nach-Blauw

08 DiepDuin Water Blauw

09 Laan van Niew Oost-Indigo

10 Ijzer-galnoten Blauw-Zwart

11 Treves Turquois 

12 Mauritshuis Magenta

13 Simplisties Violet

14 Parkpop Purpur

15 Voorhout Violet

16 Oranje Boven

17 Staten-Generaal Rood

18 Garuda Rood

19 Rood Haags Pluche

20 Pulchri Pink

21 ChinaTown Red

22 Hopjesbruin

23 Bekakt Haags

24 Zuiderpark Blue-Green

25 Denneweg Groen

26 Goenmarkt Smaragd

27 Bezuidenwoud Groen

28 Hofkwartier Groen

29 Hofvijer Grijs 

30 Het Zwarte Pad

I am pretending I can understand what some of those mean, like Groen – green, clearly. Rood – red. Blauw – blue. We’ll certainly find out once I break into these! 

Magic Green & Forever Purple

I have referred to my Magic Green pen and my Forever Purple pen a couple of times, so I figured I should explain what that is all about. So first, the pens and inks in question are actually:

Magic Green = Hongdian 5019 – Lan Tian May Flowers (EF), with Ferris Wheel Press Moonlit Jade ink

Forever Purple = Sailor Pro Gear Slim – Northern Lights (MF), with ColorVerse Hayabusa ink

Little bit of history to set context. I’ve only been playing with fountain pens and inks for about a year now, and when I first got started, believe it or not, I did not know shimmer inks existed. And when I realized they did, I went a little out of control on sampling as many as I could get my hands on. In December I sampled Van Dieman inks, mostly shimmer if I recall correctly, and I put Twilight Mist (?? Check) in a pen (???) and – it wouldn’t write. Like. At all. Not right after I inked it. Not after I tried my tricks to make it work. Nothing.

This was the first time I had run into this, so I started to do some research. I figured it had something to do with the shimmer particles gumming up the feed and I was right according to my research. Which…sucks. Sigh. I love shimmer inks AND fine nibs and they do NOT mix well sometimes…slash always. Always meaning I can usually get the pen to write, but it’ll get stuck some times. And I have a couple of ways to un stick them and I’m slowly figuring out which techniques work best with different pens. But still.

I picked up a Hongdian from a Truphae box in February (I think? That’s when this got inked for the first time at least, so pretty safe bet at the time). I wasn’t sure what to put in it. But shortly after that I picked up the Ferris Wheel Press Jade collection (of 2 inks) after a friend suggested it I check them out. I’d been trying out different shimmer ink manufacturer’s to try and find one that did not clog pens! I thought the pen looked a little odd with the two tone muted greens, but I liked the heft and the balance and I thought, hey green pen, green ink, let’s try it. I super expected it to clog immediately, due to it having an Extra Fine nib. 

Notebook page with the following text: “It continues to bring me joy, that this pen continues to operate beautifully, and I still love the color, the line, the wright of the pen. Yay Magic Green Pen!” In a dark green ink with silver shimmer. Below the text is a two tone green pen with silver hardware. Below that is a sticker of an old Victorian suitcase.
Magic Green pen with writing sample!

So imagine my surprise when my Hongdian pen wrote beautifully with a shimmer ink in it – out of an EXTRA fine nib! Yay! Then, like weeks later, when it wouldn’t write anymore, I rolled my eyes and assumed the feed was clogged, and started trying all my techniques to unclog it and none of them worked and I was so grumpy! I open it up to try to clean the bits more thoroughly and realize – it wasn’t clogged. It was out of ink! At this point, a pen NOT clogging on a shimmer ink at least a LITTLE bit was unheard of, in my experience to date. I immediately refilled it – and it wrote – and it continued to write without clogging. Then I needed to refill it a second time – so I did – still no clogging. Definitely not my normal at that point. (Still, really, not my normal out of a nib that fine.) And so, I decided – to do Science. 

I ended up deciding to carry the pen over from using it in March into my rainbow palette for April. I started doing palette’s in January and the idea was I would switch out ALL of the pens every month. This was the first time I carried a pen over. I felt guilty about it – I had other pens to try – but. I wanted to see how far it would go. For Science. Then I made it thru April with no issues, and decided to carry it over into May…then June…

Basically I decided to keep refilling it until it clogged. And I am still waiting, 6 months later (knock on wood). I have refilled it a total of 8 times to date, all with the same ink. I dip filled it (dib the entire nib into the ink and suck it up with the converter) 6 times, and the 7th and 8th I used a syringe to pick up the ink and put it into the converter before plugging it into the nib. And still no issues. 

Truly. A magic pen. Let’s see how long this goes! For Science indeed!  

The same suitcase sticker is at the top of this photo, below that is the following text: “I absolutely could not resist this truly wonderful pen, it fits my hand beautifully, it’s a gorgeous color, and the ink matches so closely! I love it! Yay Forever Purple Pen!” In dark purple ink with a pale gold shimmer. Below that is a purple pen with silver shimmer and a light blue color for the top and bottom and silver hardware.
Forever Purple pen and writing sample!

Which brings us to Forever Purple, the Sailor Pro Gear Slim. I forget which site sent me the email about the pretty purple Sailor pen but I made squealy noises when I saw it for the first time because it was the perfect purple and it had silver sparkles and I NEEDED it. It’s a fairly expensive pen, but it was around my birthday…so I decided it was okay to get it for myself for my birthday! (Husband helped haha). It was ONLY available at that point with the MF nib, which I had not tried yet, so figured I’d give it a go. I also had no idea what “slim” meant at that point, so when it arrived and I realized “slim” meant “smol” I was ecstatic. It’s a good bit shorter than regular pens (that’s a technical term “good bit” trust me look it up cough) and it has a slightly narrower (or slimmer!) barrel but not too narrow and it was light weight which is good for my hands. I was so very, very happy. And I had the perfect ink to put in it! Hayabusa was made for this pen. Not really, but LOOK at it. They match so well! 

I started writing with it, wrote well right off the bat, and the line this nib creates is so gorgeous. It’s such a clean line, not rounded, not to thick, not too spidery thin. Perfect. My new favorite thing. And I instantly decided to never put it down again haha. So I’ve been using it since April – and it does clog a little, like all of a sudden the ink I am putting down is ALL shimmer and then starts getting thinner and harder to get out of the nib. I usually just – gently – press down a little more than usual for some straight down lines and that solves the problem. I think I tried rinsing it once, but I am pretty sure that was another time I was all eye rolly about a shimmer ink not writing well and it was just out of ink, not clogged. I’ve been using it for about 5 months – and refilled it 9 times, ahem. I clearly use this pen more than the others by a good deal – even my Magic Green! The first seven refills were by dipping into the ink. The last two were with a syringe. 

These are my two favorite pens at the moment, and I do not foresee a time that I will retire them from my palette. I’ve come up with a lot of excuses to keep them in my rotation. For May I had a blue palette and decided the green and purple were helpful as accent inks. In July I had a summer theme – bright, vibrant colors – and I decided the green and purple were good grounding colors, because they are a little on the darker side. See? I can logic anything. 

And that’s it! Good story, eh? Thought so. I am sure I will add more to my Forever collection moving forward – for example I just inked up a Sailor Pro Gear Mini Slim MF that is blue with silver sparkles and put ColorVerse Cat in it. Which is a strong contender for possible future foreverness. I assume I will build a rainbow at some point, of forever pens. This sort of defeats the purpose of trying out new pens every month but I also think finding the perfect set of forever pens will take me a while, so I’ll allow it. 

The previous two photos combined.
Both pens and writing samples!

Apricot Tea vs Moonlight

I started the August Pen/Ink Palette with an ink called Apricot Tea from Kakimori in the Conklin pen. I pick my colors using my sample cards and the sample book where I wrote out some stuff on the kind of paper I usually use right now. I currently don’t pull the ink bottles until the day I am going to fill the pen – which might change in the future haha. 

A hand holding a very small clear glass bottle with a silver cap with an opaque orange liquid inside.
Look at this tiny adorable bottle of ink! Also check out the milky texture…

When I pulled this ink out of the drawer to ink my pen I hesitated. The consistency or texture of the ink was more…milky? Viscous. That’s the word I want. Instead of the watery consistency I am used to. It seemed odd. Different from the majority of my other inks. So I rechecked the sample book…seemed fine? And I shrugged and put it in the Conklin Coronet Orange to check it out. 

A notebook page with Kakimori Apricot Tea ink sampled on it in various ways. It is not blurry.
Kakimori Apricot Tea sample page, which is NOT blurry. Rar.
A sample card with an orange ish swap at the top, text reads “Kakimori Apricot Tea xxxooosssssss” and a silver cap is resting on the card, has a sticker with an orange ish dot and a sticker with (23) written on it. The sample card is resting on a notebook page. There is text written on the page, it reads “Why must this be so friggin blurry?? I love this color so much! Oh well.
Kakimori Apricot Tea – so blurry.

That’s when things started to go wrong. When I wrote with this ink in this pen it was really feathery. What I mean by that is instead of nice, crisp, clean lines, the ink sort of blurs and soaks further into the page, and if you look really closely you can see the ink sort of feathering out and blurring the edges of the line. I am sure there is a cool art application for this, but I am not an artist in the classical sense, so mostly this is just annoying to me. 

Zoomed in on the text “Why must this be so friggin blurry?? I like this color so much! Oh well.”
Look at the feathering! I actually had trouble taking this pick because I couldn’t tell if it was in focus or not!!! Do not like.
The backside of a notebook page where you can clearly see the ink showing thru.
Also look at this bleed thru??? It’s so bad! Moonlight didn’t do this at ALL and neither do my other inks, including the suuuuper dark ones I’m using this month!!

I thought maybe the ink just needed to settle, so I left the pen alone over night but the next day it was still blurry. Which makes me grumpy. So I started investigating what was going on – was it the ink? Was it the pen? Well, I had made the original sample in the sample book with my glass dip pen – which was not blurry, for the record. I figured a good place to start is by replicating that, glass dip pen, dipped into ink bottle, write on paper, see what happens. I was extremely disappointed to see that the ink blurred with the glass dip pen this time. I’m not sure what happened between when I sampled it originally at the beginning of the year, and when I sampled it this month. From what I’ve read it is most likely a difference in the paper between the books. But, it could be the ink deteriorating as well – or even something like temperature maybe? It requires more research yay! I do like research.

I had a bit of a conundrum – do I write with a blurry ink all month and be grumpy every time I do – meaning I prolly wouldn’t use the pen? Or do I swap it out, right now. After consulting with husband who I would need to help me with the psychical side of things (like rinsing out the nibs and converters for me), I decided to swap them. But which ink do I use instead?

Apricot Tea sample card looks more like the Moonlight page sample, and vice versa!

I narrow my inks down for the monthly palette usually into two sets of options. I have so many samples now that I can get some good variety and some subtlety, which means I sometimes end up with colors that are super close to each other in both palettes. For the Apricot Tea, it’s partner in the other palette was Moonlight of Higashiyama from Kyo Iro. They look very similar. This time, before putting it in the pen, I dip sampled it and wrote on the paper I’d be using it on the most. What was funny is the sample card colors are almost the opposite of the sample I wrote out that day.

There is a sample card on the right side of this image with an orange ish swap of color at the top, and the text says “Kyo Iro Moonlight of Higashiyama xxxooosssss” and has a silver cap resting on it. The cap has a sticker dot of the orange ish color on it, and a sticker dot with (6) written on it. To the left of this card on a notebook page is the following text, “So this one is a similar color but completely different look!”
Kyo Iro Moonlight of Higashiyama! And a clear line sample…

And the results were – Moonlight was not blurry, but was the right kind of color I wanted for that spot in my palette. Looks like we have a winner! I’ve used this one in the pen a couple of times now – just short writing – and it looks good so far. So I’ll use this one for August and report back when I’m done! 

This kind of thing happens often enough that I am trying to think of ways to avoid this. For September I will be dip testing the inks before I decide on the palette finally for sure. The glass dip pen doesn’t always give me a good idea of what it will look like coming out of a pen, so I picked up a new metal tipped dip pen by Pilot – hope it shows up before September! I am hoping this gives me a better idea of what I’ll be seeing from the pen. What I’ll be looking for is how the ink shows up on the page color wise, how thick it runs, or how dry is the ink, how crisp are the edges of the line (although that is often more influenced by the nib you’re using, I’ve noticed), and how long it takes to dry. I might try dipping the actual nibs I am planning on using in the inks I am thinking about…not sure how that would work out…I’ll think about it, maybe give it a try. And let you all know how it goes! 

July Daily Inks, Sailor + Robert Oster

For July I went with a theme for my Daily Ink Samples for the first time. I saw a post about an ink that was named after a state and I was like, hmmmm. July 4th, could do USA themed. Now I will say this – I am NOT thrilled with the USA in general right now. But, if I could find 31 inks that were state related, then. Thought it might be interesting. 

I could only find 24 inks from Sailor that had state names, so I filled in with another 7 from a Robert Oster series “Cities of America.” And I ordered the states alphabetically and put in the cities with the state if there was one, or where a state would be if it was missing. 

Sailor Ink has never given me any trouble, and this set of samples followed suit. Robert Oster was a manufacturer I did samples from earlier in the year, so it was nice to have some more from them. There was only one shimmer ink in this pack – and it was from Robert Oster – which made me realize I don’t know if Sailor even makes shimmer inks! So I will be going to look into that at some point! 

There were a lot of browns. I do not like the color brown. These were…nice browns. For that color. I suppose. But when the Georgia ink is brown instead of a peach for like Georgia peach, I got grumpy. Which is not the inks fault, but still!

A page from a notebook with a grey grid. At the top it is labeled “July Daily Inks, Sailor + Robert Oster “Cities of America” (when noted). The ink names are listed in a numbered column, and on each line is a dot of that ink. The inks are listed below the photo.
The tracking page I use to list all of the ink names and a dot of that inks color next to the name.

Sailor:

  • Alaska
  • Arizona
  • California
  • (Robert Oster) Napa
  • Colorado 
  • Delaware
  • Florida
  • (Robert Oster) Miami
  • Georgia 
  • Idaho
  • Illinois
  • (Robert Oster) Chicago
  • Indiana
  • (Robert Oster) Kansas City
  • Louisiana
  • Maryland 
  • Michigan
  • New York
  • (Robert Oster) New York City
  • New Jersey
  • (Robert Oster) Las Vegas
  • Oklahoma
  • (Robert Oster) Oklahoma City
  • Oregon
  • Pennsylvania
  • South Dakota
  • Texas
  • Vermont
  • Virginia
  • Washington
  • Wisconsin
31 Ink Sample Cards in two columns. There are a variety of colors. Each sample card has a swatch of color at the top, a stamp of a fountain pen nib, a puddle of ink, the name of the ink manufacturer, the name of the ink, and “xxxooossssssssss.” There is a label on the bottom left, 22JulVent-#, and on the side it is labeled Standard.
31 Ink Sample Cards, in two columns.

Then things got weird! I decided to put all of the inks on a US Map – but the paper was regular printer paper, and the inks did not go down great. A lot of the inks bleed and made the soot sprites or candy stars look kind of creepy. But Aaron’s whole face lit up when he saw this – worth it.

A plain and unlabeled US map printed in black on white paper. There are soot sprites in all of the different ink colors from Sailor. And there are candy stars of the different Robert Oster inks. The soot sprites are adorable.
US map populated by different color soot sprites and candy stars.

Not sure I am going to theme my Daily Ink Samples again…I might just stick to a single manufacturer per month -for as long as I can. We shall see!